Short stories; United States -- Social life and customs -- 20th century -- Fiction
Contact with these gave Terry Sheehan a semiprofessional tone. The more
conservative of her townspeople looked at her askance. There never had
been an evil thing about Terry, but Wetona considered her rather fly.
Terry's hair was very black, and she had a fondness for those little,
close-fitting scarlet turbans. Terry's mother had died when the girl
was eight, and Terry's father had been what is known as easygoing. A
good-natured, lovable, shiftless chap in the contracting business. He
drove around Wetona in a sagging, one-seated cart and never made any
money because he did honest work and charged as little for it as men
who did not. His mortar stuck, and his bricks did not crumble, and his
lumber did not crack. Riches are not acquired in the contracting
business in that way. Ed Sheehan and his daughter were great friends.
When he died (she was nineteen) they say she screamed once, like a
banshee, and dropped to the floor.
After they had straightened out the muddle of books in Ed Sheehan's
gritty, dusty little office Terry turned her piano-playing talent to
practical account. At twenty-one she was still playing at the Bijou,
and into her face was creeping the first hint of that look of
sophistication which comes from daily contact with the artificial world
of the footlights.
There are, in a small Midwest town like Wetona, just two kinds of
girls. Those who go downtown Saturday nights, and those who don't.
Terry, if she had not been busy with her job at the Bijou, would have
come in the first group. She craved excitement. There was little
chance to satisfy such craving in Wetona, but she managed to find
certain means. The traveling men from the Burke House just across the
street used to drop in at the Bijou for an evening's entertainment.
They usually sat well toward the front, and Terry's expert playing, and
the gloss of her black hair, and her piquant profile as she sometimes
looked up toward the stage for a signal from one of the performers
caught their fancy, and held it.
She found herself, at the end of a year or two, with a rather large
acquaintance among these peripatetic gentlemen. You occasionally saw
one of them strolling home with her. Sometimes she went driving with
one of them of a Sunday afternoon. And she rather enjoyed taking
Sunday dinner at the Burke Hotel with a favored friend. She thought
those small-town hotel Sunday dinners the last word in elegance. The
roast course was always accompanied by an aqueous, semifrozen
concoction which the bill of fare revealed as Roman Punch. It added a
royal touch to the repast, even when served with roast pork.
Terry was twenty-two when Orville Platt, making his initial Wisconsin
trip for the wholesale grocery house he represented, first beheld her
piquant Irish profile, and heard her deft manipulation of the keys.
Orville had the fat man's sense of rhythm and love of music. He had a
buttery tenor voice, too, of which he was rather proud.
Public-domain text, read in full here on John Shaqi.
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