Short stories; United States -- Social life and customs -- 20th century -- Fiction
At two o'clock the crowd began to thin. Business would be slack, now,
until five, when it would again pick up until closing time at six. The
fat vocalist put down his megaphone, wiped his forehead, and regarded
Terry with a warm blue eye. He had just finished singing "I've
Wandered Far from Dear Old Mother's Knee." (Bernie Gottschalk Inc.
Chicago. New York. You can't get bit with a Gottschalk hit. 15 cents
each.)
"Girlie," he said, emphatically, "you sure--can--play!" He came over
to her at the piano and put a stubby hand on her shoulder. "Yessir!
Those little fingers----"
Terry just turned her head to look down her nose at the moist hand
resting on her shoulder. "Those little fingers are going to meet your
face if you don't move on."
"Who gave you your job?" demanded the fat man.
"Nobody. I picked it myself. You can have it if you want it."
"Can't you take a joke?"
"Label yours."
As the crowd dwindled she played less feverishly, but there was nothing
slipshod about her performance. The chubby songster found time to
proffer brief explanations in asides. "They want the patriotic stuff.
It used to be all that Hawaiian dope, and Wild Irish Rose stuff, and
songs about wanting to go back to every place from Dixie to Duluth.
But now seems it's all these here flag wavers. Honestly, I'm so sick
of 'em I got a notion to enlist to get away from it."
Terry eyed him with withering briefness. "A little training wouldn't
ruin your figure."
She had never objected to Orville's embonpoint. But then, Orville was
a different sort of fat man; pink-cheeked, springy, immaculate.
At four o'clock, as she was in the chorus of "Isn't There Another Joan
of Arc?" a melting masculine voice from the other side of the counter
said "Pardon me. What's that you're playing?"
Terry told him. She did not look up. "I wouldn't have known it.
Played like that--a second 'Marseillaise.' If the words----What are
the words? Let me see a----"
"Show the gentleman a 'Joan,'" Terry commanded briefly, over her
shoulder. The fat man laughed a wheezy laugh. Terry glanced around,
still playing, and encountered the gaze of two melting masculine eyes
that matched the melting masculine voice. The songster waved a hand
uniting Terry and the eyes in informal introduction.
"Mr. Leon Sammett, the gentleman who sings the Gottschalk songs
wherever songs are heard. And Mrs.--that is--and Mrs. Sammett----"
Terry turned. A sleek, swarthy world-old young man with the
fashionable concave torso, and alarmingly convex bone-rimmed glasses.
Through them his darkly luminous gaze glowed upon Terry. To escape
their warmth she sent her own gaze past him to encounter the arctic
stare of the large blonde who had been included so lamely in the
introduction. And at that the frigidity of that stare softened,
melted, dissolved.
"Why, Terry Sheehan! What in the world!"
Public-domain text, read in full here on John Shaqi.
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