Short stories; United States -- Social life and customs -- 20th century -- Fiction
Back home on the farm in southern Illinois he had known the hour the
instant his eyes opened. Here the flat next door was so close that the
bed-room was in twilight even at midday. On the farm he could tell by
the feeling--an intangible thing, but infallible. He could gauge the
very quality of the blackness that comes just before dawn. The crowing
of the cocks, the stamping of the cattle, the twittering of the birds
in the old elm whose branches were etched eerily against his window in
the ghostly light--these things he had never needed. He had known. But
here in the un-sylvan section of Chicago which bears the bosky name of
Englewood, the very darkness had a strange quality.
A hundred unfamiliar noises misled him. There were no cocks, no
cattle, no elm. Above all, there was no instinctive feeling. Once,
when they first came to the city, he had risen at twelve-thirty,
thinking it was morning, and had gone clumping about the flat, waking
up everyone and loosing from his wife's lips a stream of acid
vituperation that seared even his case-hardened sensibilities. The
people sleeping in the bedroom of the flat next door must have heard
her.
"You big rube! Getting up in the middle of the night and stomping
around like cattle. You'd better build a shed in the back yard and
sleep there if you're so dumb you can't tell night from day."
Even after thirty-three years of marriage he had never ceased to be
appalled at the coarseness of her mind and speech--she who had seemed
so mild and fragile and exquisite when he married her. He had crept
back to bed shamefacedly. He could hear the couple in the bedroom of
the flat just across the little court grumbling and then laughing a
little, grudgingly, and yet with appreciation. That bedroom, too, had
still the power to appall him. Its nearness, its forced intimacy, were
daily shocks to him whose most immediate neighbor, back on the farm,
had been a quarter of a mile away. The sound of a shoe dropped on the
hardwood floor, the rush of water in the bathroom, the murmur of
nocturnal confidences, the fretful cry of a child in the night, all
startled and distressed him whose ear had found music in the roar of
the thresher and had been soothed by the rattle of the tractor and the
hoarse hoot of the steamboat whistle at the landing. His farm's edge
had been marked by the Mississippi rolling grandly by.
Public-domain text, read in full here on John Shaqi.
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