Short stories; United States -- Social life and customs -- 20th century -- Fiction
"It'll get worse an' worse all the time," Bella's whine went on.
"Everybody says the war'll last prob'ly for years an' years. You can't
make out alone. Everything's goin' to rack and ruin. You could rent
out the farm for a year, on trial. The Burdickers'd take it, and glad.
They got those three strappin' louts that's all flat-footed or
slab-sided or cross-eyed or somethin', and no good for the army. Let
them run it on shares. Maybe they'll even buy, if things turn out.
Maybe Dike'll never come b----"
But at the look on his face then, and at the low growl of unaccustomed
rage that broke from him, even she ceased her clatter.
They moved to Chicago in the early spring. The look that had been on
Ben Westerveld's face when he drove Dike to the train that carried him
to camp was stamped there again--indelibly this time, it seemed.
Calhoun County in the spring has much the beauty of California. There
is a peculiar golden light about it, and the hills are a purplish haze.
Ben Westerveld, walking down his path to the gate, was more poignantly
dramatic than any figure in a rural play. He did not turn to look
back, though, as they do in a play. He dared not.
They rented a flat in Englewood, Chicago, a block from Minnie's. Bella
was almost amiable these days. She took to city life as though the
past thirty years had never been. White kid shoes, delicatessen
stores, the movies, the haggling with peddlers, the crowds, the
crashing noise, the cramped, unnatural mode of living--necessitated by
a four-room flat--all these urban adjuncts seemed as natural to her as
though she had been bred in the midst of them.
She and Minnie used to spend whole days in useless shopping. Theirs was
a respectable neighborhood of well-paid artisans, bookkeepers, and
small shopkeepers. The women did their own housework in drab garments
and soiled boudoir caps that hid a multitude of unkempt heads. They
seemed to find a great deal of time for amiable, empty gabbling From
seven to four you might see a pair of boudoir caps leaning from
opposite bedroom windows, conversing across back porches, pausing in
the task of sweeping front steps, standing at a street corner, laden
with grocery bundles. Minnie wasted hours in what she called "running
over to Ma's for a minute." The two quarreled a great deal, being so
nearly of a nature. But the very qualities that combated each other
seemed, by some strange chemical process, to bring them together as
well.
"I'm going downtown today to do a little shopping," Minnie would say.
"Do you want to come along, Ma?"
"What you got to get?"
"Oh, I thought I'd look at a couple little dresses for Pearlie."
"When I was your age I made every stitch you wore."
"Yeh, I bet they looked like it, too. This ain't the farm. I got all
I can do to tend to the house, without sewing."
"I did it. I did the housework and the sewin' and cookin', an'
besides----"
"A swell lot of housekeepin' you did. You don't need to tell me."
Public-domain text, read in full here on John Shaqi.
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