Short stories; United States -- Social life and customs -- 20th century -- Fiction
Tessie Golden sat on the top step of the back porch now, a slim, inert
heap in a cotton house coat and scuffed slippers. Her head was propped
wearily against the porch post. Her hands were limp in her lap. Her
face was turned toward the west, where shone that mingling of orange
and rose known as salmon pink. But no answering radiance in the girl's
face met the glow in the Wisconsin sky.
Saturday night, after supper in Chippewa, Wisconsin, Tessie Golden of
the presunset era would have been calling from her bedroom to the
kitchen: "Ma, what'd you do with my pink blouse?"
And from the kitchen: "It's in your second bureau drawer. The collar
was kind of mussed from Wednesday night, and I give it a little
pressing while my iron was on."
At seven-thirty Tessie would have emerged from her bedroom in the pink
blouse that might have been considered alarmingly frank as to texture
and precariously low as to neck had Tessie herself not been so
reassuringly unopulent; a black taffeta skirt, very brief; a hat with a
good deal of French blue about it; fragile high-heeled pumps with bows.
As she passed through the sitting room on her way out, her mother would
appear in the doorway, dishtowel in hand. Her pride in this slim young
thing and her love of her she concealed with a thin layer of carping
criticism.
"Runnin' downtown again, I s'pose." A keen eye on the swishing skirt
hem.
Tessie, the quick-tongued, would toss the wave of shining hair that lay
against either glowing cheek. "Oh, my, no! I just thought I'd dress
up in case Angie Hatton drove past in her auto and picked me up for a
little ride. So's not to keep her waiting."
Angie Hatton was Old Man Hatton's daughter. Anyone in the Fox River
Valley could have told you who Old Man Hatton was. You saw his name at
the top of every letterhead of any importance in Chippewa, from the
Pulp and Paper Mill to the First National Bank, and including the watch
factory, the canning works, and the Mid-Western Land Company. Knowing
this, you were able to appreciate Tessie's sarcasm. Angie Hatton was
as unaware of Tessie's existence as only a young woman could be whose
family residence was in Chippewa, Wisconsin, but who wintered in Italy,
summered in the mountains, and bought (so the town said) her very
hairpins in New York. When Angie Hatton came home from the East the
town used to stroll past on Mondays to view the washing on the Hatton
line. Angie's underwear, flirting so audaciously with the sunshine and
zephyrs, was of silk and crepe de Chine and satin--materials that we
had always thought of heretofore as intended exclusively for party
dresses and wedding gowns. Of course, two years later they were
showing practically the same thing at Megan's dry-goods store. But
that was always the way with Angie Hatton. Even those of us who went
to Chicago to shop never quite caught up with her.
Public-domain text, read in full here on John Shaqi.
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