One Hundred Books Famous in English Literature: With Facsimiles of the Title-Pages — John Shaqi
One Hundred Books Famous in English Literature: With Facsimiles of the Title-PagesGrolier Club
History
One Hundred Books Famous in English Literature: With Facsimiles of the Title-Pages
Grolier Club
Best books -- Great Britain; English literature -- First editions -- Bibliography; English literature -- History and criticism; Title pages
The realization of this long-lived, far-gathering, abounding English
literature, in these external phases, leaves untouched its original
force. Whence is its germinating power,--what is this genius of the
English? It is the same in literature as in all its other manifold
manifestations, for man is forever unitary and of one piece. Curiosity,
which is the distinction of progressive peoples, is perhaps its initial
and moving source. The trait which has sent the English broadcast over
the world and mingled their history with the annals of all nations is
the same that has so blended their literature with the history of all
tongues. The acquisitive power which has created the empire of the
English, with dominion on dominion, is parallel with the faculty that
assimilates past literatures with the body of their literary speech. But
curiosity is only half the word. It is singular that the first quality
which occurs to the mind in connection with the English is, almost
universally and often exclusively, their practicality. They are really
the most romantic of all nations; romanticism is the other half of their
genius, and supplements that positive element of knowledge-hunting or
truth-seeking which is indicated by their endless curiosity. Possibly
the Elizabethan age is generally thought of as a romantic period, as if
it were exceptional; and the romantic vigor of the late Georgian period,
though everywhere acknowledged, is primarily regarded as more strictly a
literary and not a national characteristic in its time; but, like all
interesting history, English history was continuously romantic. The days
of the crusaders, the Wars of the Roses and the French wars were of the
same strain in action and character, in adventurous travel, in personal
fate, in contacts, as were the times of Shakespeare's world or of the
world of Waterloo. What a reinforcement of character in the English has
India been, how restorative of greatness in the blood! It must be that
romanticism should characterize a great race, and, when appealing to a
positive genius, the greatest race; for in it are all the invitations of
destiny. Futurity broods and brings forth in its nest. Romanticism is
the lift of life in a people that does not merely continue, but grows,
spreads and overcomes. The sphere of the word is not to be too narrowly
confined, as only a bookish phrase of polite letters.
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