One in a Thousand; or, The Days of Henri QuatreJames, G. P. R. (George Payne Rainsford)
History
One in a Thousand; or, The Days of Henri Quatre
James, G. P. R. (George Payne Rainsford)
France -- History -- Henry IV, 1589-1610 -- Fiction
His companion gazed on in the direction which he pointed out, and then
replied, "I once knew this land well, and could have marked out in it
many a fair field either for the chase or the battle; but other scenes
have made me forget it. Our memory is but like a French crown-piece,
since so many kings have been called, one after another, to rule this
unhappy land. First, one figure is strong upon it; then it goes to the
mint, and a new king's head drives out the other, and keeps its place,
till something fresh is stamped upon it again; while, all the time,
traces of former impression may be seen below, but indistinct and
meaningless. Ay! there is Beaumont en Maine, and there the chateau of
St. Real; I remember them now: but what is that massive building, with
that large square keep, still farther to the right?"
The youth fixed his eyes upon it, and remained silent for more than a
minute: he then replied, abruptly, "That chateau belongs to the Count
d'Aubin. Let us on!"
CHAPTER II.
Memory is like moonlight, the reflection of brighter rays emanating
originally from an object no longer seen; and all our retrospects
towards the past times, as well as our individual remembrances,
partake in some degree of the softening splendour which covers small
faults and imperfections by grand masses of shade, and brings out
picturesque beauties and points of interest with apparently brighter
effulgence than even when the full sunshine of the present beaming
upon them, suffers at the same time the eye to be distracted, and the
mind otherwise engaged by a thousand minor particulars. Nothing gains
more, perhaps, from the impossibility of close inspection than the
manners, the customs, and the things of the past; and, in some
instances, even Nature herself, and Time, that enemy of man's works,
in general so remorseless, seem to take a fanciful pleasure in
assisting the illusion. That which was in itself harsh and rude in
form, acquires as it decays, a picturesque beauty which it never knew
in its prime; and the rough hold of the feudal robber, which afforded
but small pleasure to behold, and little convenience to its inmates,
is now seen and painted with delight, fringed with wild flowers
scattered from Nature's bountiful hand and softened with the green
covering of the ivy.
The old chateau of St. Real, to which the two travellers we have just
left were bending their steps, and to which, for a moment, we must now
shift the scene, was one of those antique buildings, few of which have
outlasted the first French revolution--buildings which, however we may
love to look upon any that do remain, from the magical illusion
regarding former days to which I have just alluded, were,
nevertheless, much better suited to the times in which they were
built, than to the more luxurious present.
Public-domain text, read in full here on John Shaqi.
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