"I hope your honor won't think the liss of thim for that; they're all honest, well-meaning lads, an' what harm is it at all, at all, if they do sing out of chune betimes?" Christ Church is one of the oldest structures in Ireland, was originally erected in 1038 by the Danish king Sigtryg, "Of the Silken Beard," and in 1152 was made the seat of the archbishop of Dublin. In 1172 Strongbow, the Welch Earl of Pembroke, leader of the Norman invasion, swept away the original building to make room for the present edifice, which was fifty years in building. The present nave, transepts, and crypt are those that Strongbow erected, having been thoroughly repaired and restored by Henry Roe, a wealthy distiller, at a cost of £220,000, between 1870 and 1878. In 1178 Strongbow died of a malignant ulcer of the foot, which his enemies attributed to the vengeance of the early Irish saints whose shrines he had violated, and he is buried within the church he built. His black marble tomb is on the south side, with a recumbent effigy in chain armor lying upon the sarcophagus. A smaller effigy in black marble, representing the upper half of a human form, lies beside him and is said to mark the tomb of Strongbow's son, whom his father literally cut in half with his mighty sword for showing cowardice in battle. Sir Henry Sidney, who discussed the question at length in 1571, declares that there is no doubt that the remains of Strongbow were deposited here, but there is another tomb, with a similar effigy of one-half of his son lying beside it, in an ancient church at Waterford, where Strongbow dwelt in a castle and made his headquarters. The claims of the Waterford tomb are considered much stronger than those of Christ Church in Dublin, because that was where he died and where his wife and family lived after him. [Illustration: THE TOMB OF STRONGBOW, CHRIST CHURCH, DUBLIN] The interior of the church has many points of beauty, especially the splendid stone work of the nave and aisles and the graceful arches which, although very massive, are chiseled with such delicacy that their heaviness does not appear. The floor is covered with modern tiles which are exact copies of the originals, and in the restoration of the building the architect has shown similar conscientiousness in all his work. The great age of the stone gives it a rich and mellow tone, and although here and there one may come across evidences of decay or damage, it is in better condition than most of the modern churches of Ireland.