The court of Dublin has been insignificant but lively, and has reflected the characteristics of the Irish nobility, who were as fond of a frolic as they were of a fight, and never allowed their sense of decorum or the laws of etiquette to interfere with their pleasure. A hundred years ago ladies, upon being presented for the first time, were solemnly kissed by the viceroy, which was more or less agreeable to him, according to the age and attractions of his guests. One of them who was noted for his wit remarked that he got his kisses as a spendthrift borrows from a usurer, "part in old wine, part in dubious paintings, and part in bright gold and silver." With all its wit and brilliancy the court has at times been noted for a low state of morality, and at one period that portion of the castle which contains the state apartments was nicknamed "hell's half-acre" by a satirist. A figure of Justice which adorns the pediment of the main gate has been the object of much wit and satire for two centuries. Dean Swift once declared that she sat with her face to the viceroy and her back to the people. There are a few good portraits and other pictures in the residence portion of the building, including some pretty medallions in the wall of the throne-room, which are credited to Angelica Kauffman, but nobody knows when or how she happened to paint them. The mantel of one of the rooms is of black Spanish oak taken from the cabin of the flagship of the Spanish Armada which was wrecked on the Irish coast after the great sea battle of 1588. The finest of all the rooms is St. Patrick's Hall, which was designed by the great Lord Chesterfield when he was lord lieutenant of Ireland, and has always been much admired by architects because of its proportions and its lofty painted ceilings representing events in Irish history. The banners of the twenty-four knights of St. Patrick are suspended from either side, and the crimson draperies and upholstering of Irish poplin give the apartment an attractive color. Duplicates of these banners hang in the choir of St. Patrick's Cathedral, where the knights used to meet before 1869, but they have always had their headquarters in the castle, and the Ulster king of arms, the executive officer of the order, is the master of ceremonies at the castle, senior officer in the household of the lord lieutenant, the highest authority on rank and precedent in Ireland, and his seal is necessary to give legal value to patents of Irish peerages. He decides all questions of etiquette, nominates the persons who are presented at the viceregal drawing-room, arranges for all ceremonies, and in processions of state he rides or walks immediately in front of the lord lieutenant, carrying the sword of state as the emblem of the authority of the king.