In an open valley that sloped between hills covered with beech-woods,
stood the tall abbey, a Gothic nave and apse with beautifully traced
windows, with the ruin of a very ancient chapel on one side, and
crossing the back, a well-proportioned Renaissance building that had
been a dormitory. The first time that Martin saw the abbey, it towered
in ghostly perfection above a low veil of mist that made the valley seem
a lake in the shining moonlight. The lines were perfectly quiet, and
when he stopped the motor of his ambulance, he could hear the wind
rustling among the beech-woods. Except for the dirty smell of huddled
soldiers that came now and then in drifts along with the cool
wood-scents, there might have been no war at all. In the soft moonlight
the great traceried windows and the buttresses and the high-pitched roof
seemed as gorgeously untroubled by decay as if the carvings on the cusps
and arches had just come from under the careful chisels of the Gothic
workmen.
"And you say we've progressed," he whispered to Tom Randolph.
"God, it is fine."
They wandered up and down the road a long time, silently, looking at the
tall apse of the abbey, breathing the cool night air, moist with mist,
in which now and then was the huddled, troubling smell of soldiers. At
last the moon, huge and swollen with gold, set behind the wooded hills,
and they went back to the car, where they rolled up in their blankets
and went to sleep.
Behind the square lantern that rose over the crossing, there was a trap
door in the broken tile roof, from which you could climb to the
observation post in the lantern. Here, half on the roof and half on the
platform behind the trap-door, Martin would spend the long summer
afternoons when there was no call for the ambulance, looking at the
Gothic windows of the lantern and the blue sky beyond, where huge soft
clouds passed slowly over, darkening the green of the woods and of the
weed-grown fields of the valley with their moving shadows.
There was almost no activity on that part of the front. A couple of
times a day a few snapping discharges would come from the seventy-fives
of the battery behind the Abbey, and the woods would resound like a
shaken harp as the shells passed over to explode on the crest of the
hill that blocked the end of the valley where the Boches were.
Public-domain text, read in full here on John Shaqi.
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