Adultery -- Fiction; Divorced women -- Fiction; Husband and wife -- Fiction; Triangles (Interpersonal relations) -- Fiction
Note: Images of the original pages are available through
Internet Archive. See
http://archive.org/details/onemansviewwithi00merruoft
ONE MAN'S VIEW
by
LEONARD MERRICK
With an Introduction by Granville Barker
Hodder & Stoughton
London--New York--Toronto
1922
INTRODUCTION
This story can be said to date, though quite in the sense that a
story legitimately may. It is historic, though that is not to say
old-fashioned. If one searches by internal evidence for the time of
its writing, 1889 might be a safe guess. It was about then that many
Londoners (besides the American girls in the story) were given their
first glimpse of Niagara at the Panorama near Victoria Street. The
building is a motor garage now; it lies beneath the cliffs of Queen
Anne's Mansions; aeroplanes may discover its queer round roof. And it
was in an ageing past too--for architectural ages veritably flash by in
New York--that Broadway could be said to spread into the "brightness
of Union Square." To-day there is but a chaos of dingy decay owning
to that name. Soon it will be smart skyscrapers, no doubt; when the
tide of business has covered it, as now the tide of fashion leaves
it derelict. Duluth, too, with its "storekeepers spitting on wooden
sidewalks"! Duluth foresees a Lake Front that will rival Chicago.
But in such honest "dating," and in the inferences we may draw from it,
lie perhaps some of the peculiar merits of Mr. Merrick's method--his
straight telling of a tale. And digging to the heart of the book, the
One Man's View of his faithless wife--more importantly too, the wife's
view of herself--is, in a sense, an "historic" view. Not, of course, in
its human essentials. Those must be true or false of this man and this
woman whenever, however they lived and suffered. Such sufferings are
dateless. And whether they are truly or falsely told, let the reader
judge. No preface-writer need pre-judge for him. For in such things,
the teller of the tale, from the heart of his subject, speaks straight
to the heart and conscience of his audience, and will succeed or fail
by no measurable virtue of style or wit, but by the truth that is in
him, by how much of it they are open to receive.
Look besides with ever so slightly an historical eye at the
circumstances in which the lives of these two were set to grow, and
to flourish or perish, as it was easier or harder to tend them. See
the girl with her simple passion for the theatre--so apt a channel
for her happy ambition as it appears--and that baulked, her very life
baulked. To-day, this war-day, and most surely for the immediate
enfranchised to-morrow breaking so close, the same girl will turn her
back light-heartedly on the glamour of that little tinselled world to
many another prospect of self-fulfilment.
Public-domain text, read in full here on John Shaqi.
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