One of Cleopatra's Nights and Other Fantastic Romances — John Shaqi
One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
ONE OF CLEOPATRA'S NIGHTS
And Other Fantastic Romances
by
THEOPHILE GAUTIER
Published by Brentano's
at Union Square. New York
1900
TRANSLATED BY LAFCADIO HEARN
_The love that caught strange light from death's own eyes,_
_And filled death's lips with fiery words and sighs,_
_And, half asleep, let feed from veins of his_
_Her close, red, warm snake's-mouth, Egyptian-wise:_
_And that great night of love more strange than this,_
_When she that made the whole world's bale and bliss_
_Made king of the whole world's desire a slave_
_And killed him in mid-kingdom with a kiss._
SWINBURNE.
"_Memorial verses on the death of Théophile Gautier_."
TO THE READER
The stories composing this volume have been selected for translation
from the two volumes of romances and tales by Théophile Gautier
respectively entitled _Nouvelles_ and _Romans et Contes_. They afford in
the original many excellent examples of that peculiar beauty of fancy
and power of painting with words which made Gautier the most brilliant
literary artist of his time. No doubt their warmth of coloring has been
impoverished and their fantastic enchantment weakened by the process of
transformation into a less voluptuous tongue; yet enough of the original
charm remains, we trust, to convey a just idea of the French author's
rich imaginative power and ornate luxuriance of style.
The verses of Swinburne referring to the witchery of the novelette which
opens the volume, and to the peculiarly sweet and strange romance which
follows, sufficiently indicate the extraordinary art of these tales. At
least three of the stories we have attempted to translate rank among the
most remarkable literary productions of the century.
These little romances are characterized, however, by merits other than
those of mere literary workmanship; they are further remarkable for a
wealth of erudition--picturesque learning, we might say--which often
lends them an actual archæologic value, like the paintings of some
scholarly artist, some Alma Tadema, who with fair magic of
color-blending evokes for us eidolons of ages vanished and civilizations
passed away.
Public-domain text, read in full here on John Shaqi.
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