One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
At the end of this alley was a huge fountain-basin, approached by four
porphyry stairways. Through the transparent depths of the diamond-clear
water the steps could be seen descending to the bottom of the basin,
which was strewn with gold-dust in lieu of sand. Here figures of women
terminating in pedestals like Caryatides[2] spurted from their breasts
slender jets of perfumed water, which fell into the basin in silvery
dew, pitting the clear watery mirror with wrinkle-creating drops. In
addition to this task these Caryatides had likewise that of supporting
upon their heads an entablature decorated with Nereids and Tritons in
bas-relief, and furnished with rings of bronze to which the silken cords
of a velarium might be attached. From the portico was visible an
extending expanse of freshly humid, bluish-green verdure and cool shade,
a fragment of the Vale of Tempe transported to Egypt. The famous gardens
of Semiramis would not have borne comparison with these.
We will not pause to describe the seven or eight other halls of various
temperature, with their hot and cold vapors, perfume boxes, cosmetics,
oils, pumice stone, gloves of woven horsehair, and all the refinements
of the antique balneatory art brought to the highest pitch of voluptuous
perfection.
Hither came Cleopatra, leaning with one hand upon the shoulder of
Charmion. She had taken at least thirty steps all by herself. Mighty
effort, enormous fatigue! A tender tint of rose commenced to suffuse the
transparent skin of her cheeks, refreshing their passionate pallor; a
blue network of veins relieved the amber blondness of her temples; her
marble forehead, low like the antique foreheads, but full and perfect in
form, united by one faultless line with a straight nose, finely
chiselled as a cameo, with rosy nostrils which the least emotion made
palpitate like the nostrils of an amorous tigress; the lips of her
small, rounded mouth, slightly separated from the nose, wore a
disdainful curve; but an unbridled voluptuousness, an indescribable
vital warmth, glowed in the brilliant crimson and humid lustre of the
under lip. Her eyes were shaded by level eyelids, and eyebrows slightly
arched and delicately outlined. We cannot attempt by description to
convey an idea of their brilliancy. It was a fire, a languor, a
sparkling limpidity which might have made even the dog-headed Anubis
giddy. Every glance of her eyes was in itself a poem richer than aught
of Homer or Mimnermus. An imperial chin, replete with force and power to
command, worthily completed this charming profile.
Public-domain text, read in full here on John Shaqi.
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