One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
The story which we are writing, and the great name of Cleopatra which
appears in it, have prompted us to these reflections, so ill-sounding,
doubtless, to modern ears. But the spectacle of the antique world is
something so crushingly discouraging, even to those imaginations which
deem themselves exhaustless, and those minds which fancy themselves to
have conceived the utmost limits of fairy magnificence, that we cannot
here forbear recording our regret and lamentation that we were not
cotemporaries of Sardanapalus; of Teglathphalazar; of Cleopatra, queen
of Egypt; or even of Elagabalus, emperor of Rome and priest of the Sun.
It is our task to describe a supreme orgie--a banquet compared with
which the splendors of Belshazzar's feast must pale--one of Cleopatra's
nights. How can we picture forth in this French tongue, so chaste, so
icily prudish, that unbounded transport of passions, that huge and
mighty debauch which feared not to mingle the double purple of wine and
blood, those furious outbursts of insatiate pleasure, madly leaping
toward the Impossible with all the wild ardor of senses as yet untamed
by the long fast of Christianity?
The promised night should well have been a splendid one, for all the
joys and pleasures possible in a human lifetime were to be concentrated
into the space of a few hours. It was necessary that the life of
Meïamoun should be converted into a powerful elixir which he could
imbibe at a single draught. Cleopatra desired to dazzle her voluntary
victim, and plunge him into a whirlpool of dizzy pleasures; to
intoxicate and madden him with the wine of orgie, so that death, though
freely accepted, might come invisibly and unawares.
Let us transport our readers to the banquet-hall.
Our existing architecture offers few points for comparison with those
vast edifices whose very ruins resemble the crumblings of mountains
rather than the remains of buildings. It needed all the exaggeration of
the antique life to animate and fill those prodigious palaces, whose
halls were too lofty and vast to allow of any ceiling save the sky
itself--a magnificent ceiling, and well worthy of such mighty
architecture.
Public-domain text, read in full here on John Shaqi.
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