One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
A deep, heartfelt joy illumined his every feature. He had embraced his
restless-winged chimera, and it had not flown from him; he had reached
the goal of his life. Though he were to live to the age of Nestor or
Priam, though he should behold his veined temples hoary with locks
whiter than those of the high priest of Ammon, he could never know
another new experience, never feel another new pleasure. His maddest
hopes had been so much more than realized that there was nothing in the
world left for him to desire.
Cleopatra seated him beside her upon a throne with golden griffins on
either side, and clapped her little hands together. Instantly lines of
fire, bands of sparkling light, outlined all the projections of the
architecture--the eyes of the sphinxes flamed with phosphoric
lightnings; the bull-headed idols breathed flame; the elephants, in lieu
of perfumed water, spouted aloft bright columns of crimson fire; arms of
bronze, each bearing a torch, started from the walls, and blazing
aigrettes bloomed in the sculptured hearts of the lotos flowers.
Huge blue flames palpitated in tripods of brass; giant candelabras shook
their dishevelled light in the midst of ardent vapors; everything
sparkled, glittered, beamed. Prismatic irises crossed and shattered each
other in the air. The facets of the cups, the angles of the marbles and
jaspers, the chiselling of the vases--all caught a sparkle, a gleam, or
a flash as of lightning. Radiance streamed in torrents and leaped from
step to step like a cascade, over the porphyry-stairways. It seemed the
reflection of a conflagration on some broad river. Had the Queen of
Sheba ascended thither she would have caught up the folds of her robe,
and believed herself walking in water, as when she stepped upon the
crystal pavements of Solomon. Viewed through that burning haze, the
monstrous figures of the colossi, the animals, the hieroglyphics, seemed
to become animated and to live with a factitious life; the black marble
rams bleated ironically, and clashed their gilded horns; the idols
breathed harshly through their panting nostrils.
The orgie was at its height: the dishes of phenicopters' tongues, and
the livers of scarus fish; the eels fattened upon human flesh, and
cooked in brine; the dishes of peacock's brains; the boars stuffed with
living birds; and all the marvels of the antique banquets were heaped
upon the three table-surfaces of the gigantic triclinium. The wines of
Crete, of Massicus, and of Falernus foamed up in cratera wreathed with
roses, and filled by Asiatic pages whose beautiful flowing hair served
the guests to wipe their hands upon. Musicians playing upon the sistrum,
the tympanum, the sambuke, and the harp with one-and-twenty strings
filled all the upper galleries, and mingled their harmonies with the
tempest of sound that hovered over the feast. Even the deep-voiced
thunder could not have made itself heard there.
Public-domain text, read in full here on John Shaqi.
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