One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
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One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
The scene continually changed. At one moment were visible gigantic
propylæa, whose sloping walls, painted with large panels of fantastic
figures, were mirrored in the river; pylons with broad-bulging capitals;
stairways guarded by huge crouching sphinxes, wearing caps with lappets
of many folds, and crossing their paws of black basalt below their
sharply projecting breasts; palaces, immeasurably vast, projecting
against the horizon the severe horizontal lines of their entablatures,
where the emblematic globe unfolded its mysterious wings like an eagle's
vast-extending pinions; temples with enormous columns thick as towers,
on which were limned processions of hieroglyphic figures against a
background of brilliant white--all the monstrosities of that Titanic
architecture. Again the eye beheld only land-scapes of desolate
aridity--hills formed of stony fragments from excavations and building
works, crumbs of that gigantic debauch of granite which lasted for more
than thirty centuries; mountains exfoliated by heat, and mangled and
striped with black lines which seemed like the cauterizations of a
conflagration; hillocks humped and deformed, squatting like the
criocephalus of the tombs, and projecting the outlines of their
misshapen attitude against the sky-line; expanses of greenish clay,
reddle, flour-white tufa; and from time to time some steep cliff of dry,
rose-colored granite, where yawned the black mouths of the stone
quarries.
This aridity was wholly unrelieved; no oasis of foliage refreshed the
eye; green seemed to be a color unknown to that nature; only some meagre
palm-tree, like a vegetable crab, appeared from time to time in the
horizon; or a thorny fig-tree brandished its tempered leaves like sword
blades of bronze; or a carthamus-plant, which had found a little
moisture to live upon in the shadow of some fragment of a broken column,
relieved the general uniformity with a speck of crimson.
After this rapid glance at the aspect of the landscape, let us return to
the cangia with its fifty rowers, and, without announcing ourselves,
enter boldly into the _naos_ of honor.
The interior was painted white with green arabesques, bands of
vermilion, and gilt flowers fantastically shaped; an exceedingly fine
rush matting covered the floor; at the further end stood a little bed,
supported upon griffin's feet, having a back resembling that of a modern
lounge or sofa; a stool with four steps to enable one to climb into bed;
and (rather an odd luxury according to our ideas of comfort) a sort of
hemicycle of cedar wood, supported upon a single leg, and designed to
fit the nape of the neck so as to support the head of the person
reclining.
Public-domain text, read in full here on John Shaqi.
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