One of Cleopatra's Nights and Other Fantastic RomancesGautier, Théophile
Science
One of Cleopatra's Nights and Other Fantastic Romances
Gautier, Théophile
French fiction -- Translations into English; Short stories
Thus they came to the villa of Arrius Diomedes, one of the finest
residences in Pompeii. It is approached by a flight of brick steps, and
after entering the door-way, which is flanked by two small lateral
columns, one finds himself in a court resembling the _patio_ which
occupies the centre of Spanish and Moorish dwellings, and which the
ancients termed _impluvium_ or _cavædium._ Fourteen columns of brick,
overlaid with stucco, once supported on four sides a portico or covered
peristyle, not unlike a convent cloister, and beneath which one could
walk secure from the rain. This courtyard is paved in mosaic with brick
and white marble, which presents a subdued and pleasing effect of color.
In its centre a quadrilateral marble basin, which still exists, formerly
caught the rain-water that dripped from the roof of the portico. It was
a strange experience, entering thus into the life of the antique world,
and treading with well-blacked boots upon the marbles worn smooth by the
sandals and buskins of the contemporaries of Augustus and Tiberius.
The cicerone led them through the _exedra_ or summer parlor, which
opened to the sea, to receive its cooling breezes. It was there that the
family received company, and took their siesta during those burning
hours when prevailed the mighty zephyr of Africa, laden with languors
and storms. He brought them into the basilica, a long open gallery which
lighted the various apartments, and in which clients and visitors erst
awaited the call of the Nomenclator. Then he conducted them to the white
marble terrace, whence extended a broad view of verdant gardens and blue
sea. Then he showed them the _Nymphæum_, or Hall of Baths, with its
yellow-painted walls, its stucco columns, its mosaic pavement, and its
marble bathing-basin which had contained so many of the lovely bodies
that have long since passed away like shadows; the _cubiculum_, where
flitted so many dreams from the Ivory Gate, and whose alcoves contrived
in the wall were once closed by a _conopeum_ or curtain, of which the
bronze rings still lie upon the floor; the _tetrastyle_, or Hall of
Recreation; the Chapel of the Lares; the Cabinet of Archives; the
Library; the Museum of Paintings; the _gynæceum_ or women's apartment,
comprising a suite of small chambers, now half fallen into ruin, but
whose walls yet bear traces of paintings and arabesques, like fair
cheeks from which the rouge has been but half wiped off.
Public-domain text, read in full here on John Shaqi.
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