Farm life -- Fiction; Nebraska -- Fiction; Soldiers -- Fiction; War stories; World War, 1914-1918 -- Fiction
The next morning Claude stepped off the train at Frankfort and
had his breakfast at the station before the town was awake. His
family were not expecting him, so he thought he would walk home
and stop at the mill to see Enid Royce. After all, old friends
were best.
He left town by the low road that wound along the creek. The
willows were all out in new yellow leaves, and the sticky
cotton-wood buds were on the point of bursting. Birds were
calling everywhere, and now and then, through the studded willow
wands, flashed the dazzling wing of a cardinal.
All over the dusty, tan-coloured wheatfields there was a tender
mist of green,--millions of little fingers reaching up and waving
lightly in the sun. To the north and south Claude could see the
corn-planters, moving in straight lines over the brown acres
where the earth had been harrowed so fine that it blew off in
clouds of dust to the roadside. When a gust of wind rose, gay
little twisters came across the open fields, corkscrews of
powdered earth that whirled through the air and suddenly fell
again. It seemed as if there were a lark on every fence post,
singing for everything that was dumb; for the great ploughed
lands, and the heavy horses in the rows, and the men guiding the
horses.
Along the roadsides, from under the dead weeds and wisps of dried
bluestem, the dandelions thrust up their clean, bright faces. If
Claude happened to step on one, the acrid smell made him think of
Mahailey, who had probably been out this very morning, gouging
the sod with her broken butcher knife and stuffing dandelion
greens into her apron. She always went for greens with an air of
secrecy, very early, and sneaked along the roadsides stooping
close to the ground, as if she might be detected and driven away,
or as if the dandelions were wild things and had to be caught
sleeping.
Claude was thinking, as he walked, of how he used to like to come
to mill with his father. The whole process of milling was
mysterious to him then; and the mill house and the miller's wife
were mysterious; even Enid was, a little--until he got her down
in the bright sun among the cat-tails. They used to play in the
bins of clean wheat, watch the flour coming out of the hopper and
get themselves covered with white dust.
Best of all he liked going in where the water-wheel hung dripping
in its dark cave, and quivering streaks of sunlight came in
through the cracks to play on the green slime and the spotted
jewel-weed growing in the shale. The mill was a place of sharp
contrasts; bright sun and deep shade, roaring sound and heavy,
dripping silence. He remembered how astonished he was one day,
when he found Mr. Royce in gloves and goggles, cleaning the
millstones, and discovered what harmless looking things they
were. The miller picked away at them with a sharp hammer until
the sparks flew, and Claude still had on his hand a blue spot
where a chip of flint went under the skin when he got too near.
Public-domain text, read in full here on John Shaqi.
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