Spreading her ample flounces over the carved walnut-wood piano stool,
Lady Louisa ran her white fingers rapidly and with some brilliancy of
execution—certainly with perfect confidence—over the keys of a sonorous
grand piano; while Berkeley stood near, with an air of considerable
affectation and satisfaction, to accompany her, his delicate hands being
cased in the tightest of straw-coloured kid gloves; and all the room
became hushed into well-bred silence, while they favoured us with the
famous duet by _Leonora_ and the _Conde di Luna_, "Vivra! Contende il
Guibilo."
Berkeley acquitted himself pretty well; so well, that I regretted my own
_timbre_ tones. But I must confess to being enchanted while Louisa
sang; her voice was very seductive, and she had been admirably trained
by a good Italian master. I remained a silent listener, full of
admiration for her performance, and not a little for the contour of her
fine neck and snowy shoulders, from which her maize-coloured opera cloak
had fallen.
"Lady Loftus," said Berkeley, "your touch upon the piano is like—like——"
"What, Mr. Berkeley? Now tax your imagination for a new compliment."
"The fingers—haw—of a tenth muse."
She uttered a merry laugh, and continued to run those fingers over the
keys.
"Homely style of thing, the baronet’s dinner," I heard him whisper, as
he stooped over her, with a covert smile in his eyes.
"Ah, you prefer the continental mode we are adopting so successfully in
England?"
"The dinner _à la Russe_; exactly."
"Ah, you will get dinners enough of that kind in the Crimea, more than
you may have appetite for," she replied, with a manner so quiet, that it
was difficult to detect a little satire.
"Most likely," drawled Berkeley, as he twirled his moustaches, without
seeing the retort to his bad taste; and then, without invitation, the
fair musician gave us a song or two from the "Trovatore;" till her
watchful mother advancing, contrived to end her performance, and,
greatly to my satisfaction, marched her into the outer drawing-room.
"Cora must sing something now," said I; "her voice has long been strange
to me."
"I cannot sing after Lady Loftus’s brilliant performance," she said,
nervously and hurriedly. "Don’t ask me, pray, Newton, dear."
Public-domain text, read in full here on John Shaqi.
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