After that first visit Milly went home to arrange a tea-table like
Eleanor Kemp's. She found among the discarded remnants of the family
furniture a small round table without a leg. She had it repaired and set
up her tea-table near the black marble fireplace. The next time the
banker's wife came to call she was able to offer her a cup of tea, with
sliced lemon, quite as a matter of course, after the manner that Mrs.
Kemp had handed it to her the week before. Milly was not crudely
imitative: she was selectively imitative, and for the present she had
chosen Mrs. Kemp for her model.
For the most part they met at the Kemp house. The young married woman
liked her new rôle of guide and experienced friend to Milly; she also
liked the admiration that Milly sincerely, copiously poured forth on all
occasions. When Milly praised the ugly house and its furniture, she
might smile in a superior way, for she was "travelled," had visited "the
chief capitals of Europe,"--as well as Washington and New York,--and
knew perfectly well that the solid decoration of her library and
drawing-room was far from good style. The Kemps had already secured
their lot on the south side of the city near the Lake. The plans for
their new house were being drawn by a well-known eastern architect, and
they were merely waiting before building until Mr. Kemp should find
himself sufficiently prosperous to maintain the sort of house that the
architect had designed for a rising young western banker.
"Oh, dear," Milly sighed, "you will be moving soon--and there'll be
nobody left around here for me to know."
Eleanor Kemp smiled.
"You know what I mean!... People like you and your mother."
"You may not live here always," her friend prophesied.
"I hope not. But papa seems perfectly content--he's taken a five years'
lease of that horrid house. I just knew it wasn't the right place as
soon as I saw it!"
The older woman laughed at Milly's despair.
"There's time yet for something to happen."
Public-domain text, read in full here on John Shaqi.
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