Milly had always attended public school. It had never occurred to her
father that while the state was willing to provide an education he
should go to the expense of buying one privately for his daughter. Of
course Milly knew that there were fashionable boarding-schools. She
wanted to attend a Sacred Heart convent school where one of her
intimates--a Louisville girl--had been sent, but the mere idea had
shocked Mrs. Ridge, senior, unutterably.
It seemed that the Ashland Institute, according to Mrs. Kemp, was an
altogether superior sort of place, and Milly was at last thoroughly
fired with the idea that she should "finish herself" there. Her
grandmother agreed that more schooling would not hurt Milly, but
demurred at the expense. Horatio was easily convinced that it was the
only proper school for his daughter. So the following September Milly
was once more a pupil, enrolled in classes of "literature" (with a
handbook), "art" (with a handbook), "science" (handbook), "mental and
moral philosophy" (lectures), and French (_La tulipe noire_). Milly
liked Mrs. Mason, a personable lady, who always addressed her pupils as
"young ladies." And Milly was quickly fascinated by the professor of
mental and moral philosophy, a delicate-looking young college graduate.
She worked very hard, studying her lessons far into the night,
memorizing long lists of names, dates, maxims, learning by rote whatever
was contained in those dreary handbooks.
Even in those days this was not all there was to education for girls
like Milly. There were a few young women, east and west, bold enough to
go to college. But as yet their example had no influence upon the
general education dealt out to girls. Most girls whose parents had any
sort of ambition went through the high school with their brothers, and
then went to work--if they had to--or got married. Even for the
privileged few who could afford "superior advantages" the ideas about
women's education were chaos. Mrs. Mason solved the problem at the
Ashland Institute as well as any, with a little of this and of that,
elegant information conveyed chiefly in handbooks about "literature" and
"art"; for women were assumed to be the "artistic" sex as they were the
ornamental. There were, besides, deportment, dancing, and music, also
ornamental. The only practical occupations were keeping house and
nursing, and if a girl was obliged to do such things, she did not seek
the aristocratic "finishing school." The "home" was the proper place for
all that. In Milly's case the "home" was adequately run by her
grandmother with the help of one colored servant. So Horatio, being just
able to afford the tuition, Milly was privileged to "finish herself."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account