"The dining-room's downstairs--that makes it roomier," he continued,
throwing open at random a door. "There's more room than you'd think from
the outside."
Milly and her grandmother peered downwards into the black hole from
which came a mouldy odor.
"Oh, father, why did you come 'way out here!" Milly wailed.
"Why not?" Horatio retorted defensively. "You didn't expect a house on
the lake front, did you?"
Just what she had expected from this new turn in the family destiny was
not clear to herself. But ever since it had been decided that they were
to have a house of their own in Chicago--her father having at last
secured a position that promised some permanence--the girl's buoyant
imagination had begun to soar, and out of all the fragments of her
experience derived by her transient residence in Indianapolis, Kansas
City, and Omaha--not to mention St. Louis--she had created a wonderful
composite--the ideal American home, architecturally ambitious, suburban
in tone. In some of the cities where she had lived the Ridges had
tarried as long as three years, and each time, since she was a very
little girl in short dresses and had left Indianapolis crying over the
doll in her arms, she had believed they were permanently settled: this
was to be their home for always.
Her mother had had the same forlorn, homesick hope, but each time it was
doomed to disappointment. Always they had had to move on,--to make a new
circle of temporary acquaintances, to learn the ropes of new streets and
shops and schools all over again. Always it was "business" that did the
mischief,--the failure of "business" here or the hope of better
"business" somewhere else that had routed them out of their temporary
shelter. Horatio Ridge was "travelling" for one firm or another in drugs
and chemicals: he was of an optimistic and sanguine temperament. Milly's
mother, less hopeful by nature, had gradually succumbed under the
perpetual tearing up of her thin roots, and finally faded away
altogether in the light housekeeping phase of their existence in St.
Louis.
Milly was sanguine like her father, and she had the other advantage of
youth over her mother. So she had hoped again--overwhelmingly--of
Chicago. But as she gazed at the row of pallid houses and counted three
"To rent" signs in the cobwebby front windows opposite, she knew in her
heart that this was not the end--not this, for her! It was another
shift, another compromise to be endured, another disappointment to be
overcome.
"Well, daughter, what d'ye think of your new home?" Little Horatio's
blustering tone betrayed his timidity before the passionate criticism of
youth. Milly turned on him with flashing blue eyes.
"I think, my dear," her grandmother announced primly, "that instead of
finding fault with your father's selection of a home, you had better
look at it first."
Public-domain text, read in full here on John Shaqi.
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