She broke down just a little as she said this; she could not speak quite
calmly of that most terrible loss of all--the loss of her father’s
commercial honour. She remembered, very dimly, long prosy discussions
that she had heard at Mr. Hillary’s dinner-table, about men who had
failed, and who had failed through some dishonesty or recklessness of
their own, and whose downfall had involved the hard-won fortunes of
others, making a vast circle of ruin, spreading as the watery circle
spreads when you drop a pebble into a tideless lake.
From this time it almost seemed as if a new life began for Maude
Hillary. No more careless idling over new music, no more eager
commencements of expensive fancy-work that was never to be finished!
After Miss Hillary’s return to the Cedars, anyone taking the trouble to
watch her closely might have perceived a wonderful alteration in her
conduct--a change that was almost a transformation in her very nature.
When she opened her piano now, it was for no idle trifling with
fashionable difficulties, no coquetting with shakes, and skipping of
arpeggios. She practised steadily, and for hours together. Might not the
time be very near at hand in which she would be called upon to gird on
her armour, and join the ranks of the bread-winners? She thought of
herself in a dingy London street, somewhere in the dreary region between
Holborn and the New Road--the region which was once a fair expanse of
pleasant meadow-land. She thought of herself toiling as so many women
toiled, leading the same dull life from day to day; and her courage did
not fail her even before that dismal picture. It was not likely that
this change in Maude Hillary could escape the notice of so observant a
young lady as Miss Desmond. Julia saw and wondered, but she was far from
guessing the real cause of Maude’s unusual gravity.
“I suppose she is making herself unhappy about Harcourt Lowther,”
thought Miss Desmond. “These fortunate people always contrive to find
_one_ crumpled leaf in their beds of roses. She is making herself
miserable about that handsome, worthless soldier, and she thinks herself
hardly used because she cannot play at love in a cottage, with a rich
mercantile father to pay the expenses of the idyllic _ménage_.”
Public-domain text, read in full here on John Shaqi.
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