All through that last act she had surprised those well-bred spectators
out of their natural languor. The _Pauline_ who had been so tame and
unimpassioned in the grand cottage scene, was carried away by a strong
tide of passionate feeling in that last act, where the half
broken-hearted daughter pleads for her insolvent father. Sobs almost
choked Miss Hillary’s utterance more than once in this scene; and when
at last her head lay for a few moments on Francis Tredethlyn’s breast,
the young man’s martial decorations were wet with real tears. The sight
of that emotion moved him strangely, though he beheld in it nothing more
than the natural excitement of a highly sensitive organization. After
the little ovation that came with the close of the drama, he followed
Maude Hillary into the ante-room, where the rest of the amateurs were
discussing the night’s business, and flirting with the splendid Julia,
and thence to an inner room, less brilliantly lighted, and quite
unoccupied. Beyond this inner room there was another apartment--the
study in which Francis had fallen an easy victim to the wiles of the
Hibernian enchantress--and it was to this room that Maude hurried, still
followed by Mr. Tredethlyn.
He had no business to follow her. He knew that very well. His business
was with Julia, who had acted _Madame Deschappelles_ with wonderful
spirit, and for whom the evening had been one long triumph, inasmuch as
her lace, and diamonds, and brocade, and dark eyes, and white teeth, had
been the subjects of universal admiration. Mr. Tredethlyn’s business lay
in that brilliantly-lighted ante-chamber where Julia sat amongst the
government clerks, and barristers, and grand military dandies, while an
accompaniment of perpetually popping champagne-corks mingled pleasantly
with the noise of their laughter. He knew this, and yet he followed
Maude to the dimly-lighted study, where the red glow of the fire
flickered on the bindings of the books and the frames of the pictures.
He could not leave off being _Claude Melnotte_ all in a moment. The
exaltation of the mimic scene was still upon him. Just now he had been
carried quite away by the influence of the poetic situation; and when he
flung down the sham money, which was to release the merchant’s daughter
from her hated suitor, a warmer thrill of triumph had stirred his breast
than had ever been engendered by the possession of Oliver Tredethlyn’s
thousands.
Public-domain text, read in full here on John Shaqi.
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