And now he could not fall back to his old position all at once. Only a
minute or two ago Maude Hillary had been sobbing on his breast,--his
bride, his wife; and he half fancied he had some kind of right to
sympathize with her emotion. He stopped suddenly on the threshold of the
study, quite unmanned by the sight of Mr. Hillary’s daughter, half
kneeling, half lying on the ground, with her face buried in the cushions
of a sofa, and her hands clasped in a despairing attitude above the fair
tangled hair that had so lately lain upon his breast. Her whole frame
was shaken by the vehemence of her sobs; and before such a picture as
this it was scarcely strange if poor country-bred Francis Tredethlyn
quite forgot that he was _not_ Claude Melnotte. He bent over the
prostrate girl, and laid his big fingers gently upon one of those little
bejewelled hands clasped so convulsively above the fair head.
“Miss Hillary,” he exclaimed, “dear Miss Hillary, for pity’s sake, tell
me what distresses you--what has happened--what is wrong--or--I--I beg
your pardon--you have over-fatigued yourself, and you are hysterical;
let me send for your maid.”
“Oh, no, no, no!” cried the girl, rising to her feet, and standing
before him, but with her face still hidden from him, hidden by her
outspread hands and her dishevelled hair.
“Shall I call Julia? she is in the room yonder.”
“Oh, no! I--I want to speak to you, Mr. Tredethlyn; stay just a little,
please. Ah! it is so hard, so cruel, but the last chance! In all the
world there is no one else who can save me--and my father--my poor,
miserable, bankrupt father!”
Francis looked at Miss Hillary in complete bewilderment. Her father--her
bankrupt father! Why, then she was still thinking of the scene that was
just finished, and the commercial troubles of Monsieur Deschappelles;
which character, by the way, had been enacted by a very young man of a
sickly cast of countenance, and an inclination to hang his head
dejectedly throughout the performance of the drama. It is a rule amongst
amateurs to assign the elderly and ineligible characters to the youngest
and meekest members of the company; whereby Monsieur Deschappelles is
usually represented as a young person of some nineteen summers, with
flour in his hair, dirty streaks, supposed to represent wrinkles, upon
his face, and a tendency to squeakiness in his voice.
“I am sure you are over-fatigued, over-excited by the play,” urged
Francis; “do let me call Julia.”
“No!” cried Miss Hillary, dropping her hands from before her face. “Oh,
Mr. Tredethlyn,” she exclaimed, almost passionately, “can’t you
understand--can’t you see that I am in earnest? Do you think that scene
just now would have made me cry as it did, if it had not reminded me of
my own sorrow? Mr. Tredethlyn--I--I know you are a good man, that you
would not be slow to do a kindness for anyone who needed your help; I
know that; and I--I thought I should have courage to speak to you, but
now the words won’t come--I----”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account