He had lost heavily, and had drunk deeply under the warm May sunshine on
the Downs. To lose cheerfully is given to many men, but how very few
have the power to lose quietly! Francis had taken his disappointment in
a rather uproarious spirit; slapping his companions on the shoulder, and
making new engagements right and left; backing the same horses by whose
shortcomings he had just lost his money; and huskily protesting the
soundness of his own judgment in despite of the misfortunes of to-day.
He went on talking now at the head of the dinner-table, though the sound
of his own voice by no means improved the splitting pain in his head. He
went on talking amidst a clamour of many voices, through which one sober
and silent toady, sitting next Mr. Tredethlyn, made a vain effort to
understand his discourse. He poured forth misty vaticinations on coming
events, gave general invitations for a great dinner at Virginia Water on
the Ascot cup day, and galloped noisily along the road to ruin in which
Harcourt Lowther had set him going. That splitting headache of his was
getting worse every minute, when some one proposed an adjournment to an
adjacent theatre.
There had been counsel taken with a waiter. A West-end waiter is no mean
dramatic critic, though he never sees a play; the opinions of playgoers
percolating perpetually through his ears must leave some residuum in the
shape of knowledge. The waiter opined that the best entertainment in
London was to be had at Drury Lane, where a melodramatic spectacle of
some celebrity was being played that evening for the last time but one.
Inspired by the waiter, Mr. Tredethlyn’s party made their way to the
theatre, bearing Mr. Tredethlyn along with them, indifferent where he
went, and carrying his headache with him everywhere.
It was past ten o’clock, and the last scene of the great spectacle was
on. The house was full, and the audience were chiefly of that restless
and vociferous order who drop into a theatre at half-price on great
race-nights. Mr. Tredethlyn and his party could only find standing-room
at the back of the dress-circle, and from this position Francis beheld
the grand final _tableau_.
The piece was an adaptation of some great Parisian success--some story
of the Reign of Terror,--and in this last scene the stage was crowded by
a clamorous populace. Upwards of three hundred men, women, and children
were engaged in the scene. Blouses and uniforms, the picturesque
head-dresses of the provincial peasantry, the scarlet cap of liberty,
the cocked hats of the gendarmerie,--all blended in one grand mass of
movement and colour, while the rapid action of the piece drew to its
triumphant close.
Public-domain text, read in full here on John Shaqi.
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