Mr. Tredethlyn did not trouble himself to wonder what the piece had been
about. He saw somebody killed--a villain it was to be supposed, since
the crowd set up a well-organized yell of rejoicing; then there was a
reconciliation, an embrace, a young lady in short-waisted white muslin
clasped to the breast of a young man in a long-tailed blue coat and low
top-boots, adorned with many-coloured bunches of riband. Then the band
broke into the stately measure of the “Marseillaise Hymn,” the crowd
clamoured a shrill chorus, and the curtain fell.
It was while the curtain was descending very slowly to that triumphant
music that Francis Tredethlyn saw something which startled him like the
sight of a ghost.
It was a face--a woman’s face in a high Normandy cap, looking out of the
many faces in the crowd, a thin, worn, melancholy countenance, very sad
to look upon, among all those other faces fronting the audience with a
stereotyped smile.
“My God!” cried Mr. Tredethlyn, clasping his two hands upon his hot
forehead, and pushing back the rumpled hair, “who is it? What’s the
matter with me? I feel as if I’d seen a ghost!”
There was a little piece after the melodrama, a slender little
production, popularly known as a “screaming” farce. It was not the most
strikingly original dramatic invention, and its chief point consisted in
one gentleman in tartan trousers being perpetually mistaken for another
gentleman in tartan trousers, whole both gentlemen were alternately
sitting upon bonnet-boxes and dropping trays of crockery.
There was certainly not very much in the farce, but the audience laughed
uproariously, and Francis Tredethlyn’s party joined in the laughter. He
found himself laughing, too, as loudly as the rest of them; but amidst
all that confusion and clamour, the wan, sad face, with two inartistic
patches of rouge upon its hollow cheeks, kept surging up ever and anon
out of the chaos of his brain, and haunting him like the face of a
ghost.
Who was it? What was it? Was it some accidental likeness? Was it a face
that he had seen and known in the past? Alas for the steady,
clear-headed soldier, who had been so prompt to obey military orders, so
strict in the performance of duty! Francis Tredethlyn’s muddled senses
refused to help him to-night. The author of “What will he do with it?”
tells us that light wines are the most treacherous of liquors; “they
inflame the brain like fire, while melting on the palate like ice.” Mr.
Tredethlyn had been drinking a mixture of divers champagnes and Moselles
all day long, and he tried in vain to fix the vague image which floated
amidst the confusion of his brain.
Public-domain text, read in full here on John Shaqi.
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