Jonathan Dryscoll, the farm-bailiff whom Oliver Tredethlyn had desired
his housekeeper to marry, was ten years younger than his wife, and was
so poor and weak a creature morally and physically in her hands, that he
seemed at least half a century her junior. If she told him to do
anything, he did it. If she told him to think anything, he thought it;
or would have done so, if the mental exercise had not been generally
beyond the scope of his faculties. He was as honest and faithful as
Martha herself; but if Martha had told him to go and fire all the ricks
on Oliver Tredethlyn’s property, he would have done it with the blind
trustfulness of a princess in a child’s story-book, who obeys the
eccentric behests of a fairy godmother. That Martha Dryscoll could do
anything wrong, or think anything wrong, was an hypothesis which
Jonathan her husband had never contemplated. Perhaps the pleasantest
thing about this couple was that there was no disagreeable evidence of
Martha’s authority. Indeed, that worthy woman was most punctilious in
respect to her liege lord and husband, whom she always spoke of as “the
master.” Jonathan obeyed and trembled, but the sceptre which his wife
wielded was an invisible one, and the chains that bound her slave were
as impalpable as if they had been fashioned of cobwebs.
Martha Dryscoll was not renowned for her capacity of expressing any
species of emotion; but some faint ray of pleasure kindled in her grim
face as she conducted Francis Tredethlyn through the kitchen to an
apartment that had served as a kind of state chamber for three
generations of his race. She set the candle on the polished mahogany
table, and, folding her arms, contemplated the new master of the Grange
at her leisure. In that dim light, in her quaint, scanty dress, with a
brown background of oaken wainscot behind her, she looked like a quaint
figure in one of Jan Steen’s pictures, a hard-faced, angular housewife,
honest, laborious, and economical, with her ear perpetually open to the
leaking of beer-barrels, or the boiling-over of soup-kettles; her eye
ever on the alert to perceive waste or destruction.
“I wish you welcome, Mr. Tredethlyn,” she said; and then, with something
like sadness in her tone, “If the money _was_ to go away from her,
better that it should go to you than to strangers. I don’t think that
you’d turn your back upon her, if she was to need your help; would you
now, Mr. Francis?”
“Turn my back upon her!” cried the young man,--“turn my back upon my
cousin Susy! Do you think I want the money that ought to have been hers?
With God’s blessing, I will go to the end of the world to find my poor
little girl. But tell me--tell me all about it, Martha. I know you are a
good creature. I know you were fond of Susan, though you seemed hard and
stern, like the old man. Tell me all you know about my lost cousin, and
don’t fear but I’ll make good use of my knowledge.”
Public-domain text, read in full here on John Shaqi.
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