"So departs forever all my former dreams of womanly loveliness.
Loveliness! I have never seen it until to-night. Stella! A star! Yes,
she is rightly named, after all. She shone down on me like a star,
and I--great Heaven!--was like one bewitched! While she--she made a
laughing-stock of me. Compared me with the nag, and treated me like a
school-boy too big to be whipped but not too large to be laughed at.
"By Jove it is not a thing to be proud of; called to task by a girl--a
little slip of a girl not yet a woman! and yet I would not have missed
that laugh and the light scorn of those dark eyes, though they lighted
up at my expense. Stella----"
There was a knock at the door, and his valet, Oliver, entered.
Lord Leycester stared at him a moment abstractedly, then roused himself
from his reverie.
"What is it, Oliver?"
"You sent for me, my lord."
"Oh, yes! I had forgotten. I will wash and get into my other coat."
Oliver passed noiselessly into the other room and assisted his master
to change the velvet smoking-jacket for the dress coat, brushed the
thick, short-cut chestnut hair into order, and opened the door.
"Where are they all?" he asked. "Are any of them in the smoking-room?"
"Yes, my lord, Lord Barton and Captain Halliday; the Marquis of
Sandford and Sir William are in the billiard-room."
Lord Leycester nodded, and went down the stairs across the hall;
a servant drew a curtain aside and opened a door, and Lord
Leycester entered a small ante-room, one side of which opened into
a long-stretching fernery, from which came the soft trip trip of
fountains, and the breath which filled the whole atmosphere with a
tropical perfume.
A couple of footmen in gorgeous livery were standing beside a double
curtain, and at a sign from Lord Leycester they drew it apart. Lord
Leycester passed through and down a small corridor lined with statuary,
at the end of which was another curtain. No passage, or door, or
ante-room but was thus masked, to shut out the two things which the
earl held as abominations--draught and noise.
With the opening of these curtains the large saloon was revealed
like the scene on the stage of a theater. It was a magnificent room
in keeping with the rest of the place, richly but not gorgeously
decorated, and lighted by wax candles shining through faintly hued
globes. At one end stood a grand piano in white and ormolu, and a lady
was playing and singing, while others were standing round with tea-cups
in their hands. Near the fireplace was a table, upon which stood a
silver tea equipage, with which the countess was busied.
Public-domain text, read in full here on John Shaqi.
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