Ontology, or the Theory of BeingCoffey, P. (Peter)
Philosophy
Ontology, or the Theory of Being
Coffey, P. (Peter)
Ontology
We know that the beauty of the human artist’s ideal is superior to, and
never fully realized in, that of the actually achieved product of his art.
Is the same true of the natural beauty of God’s works? That the works of
God in general are beautiful cannot be denied; His Wisdom “spreads beauty
abroad” throughout His works; He arranges all things according to weight
and number and measure:_cum pondere, numero et mensura_; His Providence
disposes all things strongly and sweetly: _fortiter et suaviter_. But
while creatures, by revealing their own beauty, reflect the Uncreated
beauty of God in the precise degree which He has willed from all eternity,
it cannot be said that they all realize the beauty of their Divine
Exemplars according to His primary purpose and decree. Since there is
physical and moral evil in the universe, since there are beings which fail
to realize their ends, to attain to the perfection of their natures, it
follows that these beings are not beautiful. In so far forth as they have
real being, and the goodness or perfection which is identical with their
reality, it may be admitted that all real beings are _fundamentally_
beautiful; for goodness or perfection is the foundation of beauty.(211)
But in so far as they fail to realize the perfection due to their natures
they lack even the foundation of beauty. Furthermore, in order that a
thing which has the full perfection due to its nature be _formally_
beautiful, it must actually show forth by the clearness of its proportions
and the harmony of its activities the fulness of its natural perfections.
But there is no need to prove that this is not universally verified in
nature—or in art either. And hence we must infer that formal beauty is not
a transcendental attribute of reality.(212)
Public-domain text, read in full here on John Shaqi.
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