Why are the young so superior to their elders? Why, indeed, do we have to cast off our years to enter the Kingdom of Heaven? Ponce de Leon, in search of the Fountain of Youth, journeyed from Spain to the New World, and, weary of the quest, left his body to rot in the American wilderness. He need not have gone so far upon his travels, as in the point of view of the last boy whom he met before embarking from the shores of Spain there was this very Fountain which he sought. To break down all the barriers which hedge us in, to open a thousand doors entering upon undiscovered countries of ambition and delight, to forget time, to forget everything but the joy of living, to experience the thrill of carrying heavy burdens and the overcoming of obstacles, all we have to do is to see the world through the eyes of the boy of ten. It is the youth’s relation to the world as he finds it that makes him superior to, and a more worthy inheritor of the Kingdom than is his father. The former’s outlook is that of perpetual wonderment, of endless romance, of intensive interest, and wide horizons; the latter’s too often is that of a blind man in a picture gallery. A lad lives acutely, never lets an hour "slip by," is ever willing for an assault against any battlement, and in that lies the secret of life. Most things, to be sure, are "easier said than done," but after having found that the proper door to open is that which leads to the world of fervid expectancies, experienced by the boy, we may at least _attempt_ to find the key that fits the lock. Perhaps you have already found it! This is a good personal test—do you feel that your mind is a-tingle with the music that is played by the world in which you live? It has been said that you can tell a man by the company he keeps—but there are far better methods! Find out his experiences when he walks along a city street, rubbing elbows with the crowd, dodging motors at the crossings, with every step he takes passing faces, human faces, passing windows behind which are woven the webs of human happiness and grief. What are his innermost sensations? Does he feel the throbbing pulse of men and women, or is his heart and soul dead and forbidding? Or else go with him upon a walk into the country—Spring or Fall—Winter or Summer—his talk and expression will show the stuff that is in him. Is he alive to the multifarious beauties of color, life, and movement that are about him, or is he the same gnarled, twisted parody of man who, when in the office, always thinks himself imposed upon, or in his home appears a misfit, uncomfortable piece of furniture?