American fiction -- 19th century; California -- Social life and customs -- Fiction; Short stories; Western stories
“Hymn-books--marked words in them with pencil--and passed 'em on to
me,” repeated Zaidee. “Like 'love,' 'dear,' 'precious,' 'sweet,' and
'blessed,'” she added, accenting each word with a push of her parasol on
the carpet. “Sometimes a whole line outer Tate and Brady--and Solomon's
Song, you know, and sich.”
“I believe,” said the Colonel loftily, “that the--er--phrases of sacred
psalmody lend themselves to the language of the affections. But in
regard to the distinct promise of marriage--was there--er--no OTHER
expression?”
“Marriage Service in the prayer-book--lines and words outer that--all
marked,” Zaidee replied.
The Colonel nodded naturally and approvingly. “Very good. Were others
cognizant of this? Were there any witnesses?”
“Of course not,” said the girl. “Only me and him. It was generally at
church-time--or prayer-meeting. Once, in passing the plate, he slipped
one o' them peppermint lozenges with the letters stamped on it 'I love
you' for me to take.”
The Colonel coughed slightly. “And you have the lozenge?”
“I ate it.”
“Ah,” said the Colonel. After a pause he added delicately, “But were
these attentions--er--confined to--er--sacred precincts? Did he meet you
elsewhere?”
“Useter pass our house on the road,” returned the girl, dropping into
her monotonous recital, “and useter signal.”
“Ah, signal?” repeated the Colonel approvingly.
“Yes! He'd say 'Keerow,' and I'd say 'Keeree.' Suthing like a bird, you
know.”
Indeed, as she lifted her voice in imitation of the call, the Colonel
thought it certainly very sweet and birdlike. At least as SHE gave
it. With his remembrance of the grim deacon he had doubts as to the
melodiousness of HIS utterance. He gravely made her repeat it.
“And after that signal?” he added suggestively.
“He'd pass on.”
The Colonel again coughed slightly, and tapped his desk with his
penholder.
“Were there any endearments--er--caresses--er--such as taking your
hand--er--clasping your waist?” he suggested, with a gallant yet
respectful sweep of his white hand and bowing of his head; “er--slight
pressure of your fingers in the changes of a dance--I mean,” he
corrected himself, with an apologetic cough--“in the passing of the
plate?”
“No; he was not what you'd call 'fond,'” returned the girl.
“Ah! Adoniram K. Hotchkiss was not 'fond' in the ordinary acceptance of
the word,” noted the Colonel, with professional gravity.
She lifted her disturbing eyes, and again absorbed his in her own. She
also said “Yes,” although her eyes in their mysterious prescience of all
he was thinking disclaimed the necessity of any answer at all. He smiled
vacantly. There was a long pause. On which she slowly disengaged her
parasol from the carpet pattern, and stood up.
“I reckon that's about all,” she said.
Public-domain text, read in full here on John Shaqi.
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