Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
Now Ralph gets out his pistol, he sings a beautiful farewell, the
Chorus turns away weeping--the sailors have just cleaned up and they
cannot bear the sight of the deck all spoiled with a British sailor's
brains so soon after scrubbing! Ralph lifts the pistol, takes aim--and
Josephine rushes on.
"Oh, stay your hand--I love you," she cries, and in less than a minute
everybody is dancing a hornpipe, except Deadeye. Deadeye is no
socialist. He really thinks this equality business which makes it
possible for a common sailor to marry the Captain's daughter is most
reprehensible. But nobody notices Dick. Everybody is quite happy and
satisfied now, and they plan for the wedding. Dick plans for revenge.
He goes apart to think matters over. The situation quite shocks his
sense of propriety.
Meantime the crew and Ralph and Josephine decide that:
This very night,
With bated breath
And muffled oar,
Without a light,
As still as death,
We'll steal ashore.
A clergyman
Shall make us one
At half-past ten,
And then we can
Return, for none
Can part us then.
Thus the matter is disposed of.
ACT II
It is about half-past ten, and everything ready for the elopement. The
Captain is on deck playing a mandolin while holding a most beautiful
pose (because Little Buttercup is also "on deck," and looking
sentimentally at him). The Captain sings to the moon, quite as if
there were no one there to admire him; because while this "levelling"
business is going on in the Navy there seems no good reason why
Buttercup or any other thrifty bumboat lady shouldn't do a little
levelling herself. Now to marry the Captain--but just now, even though
it is moonlight and a very propitious moment, there is other work on
hand than marrying the Captain. She can do that almost any time! But
at this moment she has some very mysterious and profound things to say
to him. She tells him that:
Things are seldom what they seem,
Skim milk masquerades as cream.
High-lows pass as patent leathers,
Jackdaws strut in peacock feathers.
And the Captain acquiesces.
Black-sheep dwell in every fold.
All that glitters is not gold.
Storks turn out to be but logs.
Bulls are but inflated frogs.
And again the Captain wisely acquiesces.
Drops the wind and stops the mill.
Turbot is ambitious brill.
Gild the farthing if you will,
Yet it is a farthing still.
And again the Captain admits that this may be true. It is quite, quite
painful if it is. On the whole, the Captain fears she has got rather
the best of him, so he determines to rally; he philosophises a little
himself, when he has time. He has time now:
Tho' I'm anything but clever,
he declares rhythmically, even truthfully;
I could talk like that forever,
Once a cat was killed by care,
Only brave deserve the fair.
He has her there, beyond doubt, because all she can say is "how true."
Public-domain text, read in full here on John Shaqi.
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