Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Then listen to my plan: The hunchback will presently return with the
rest of the money." Gilda learned then to her horror that it was her
father who had bargained for the Duke's assassination. "When the
jester comes, kill him instead and take his money--all of it--and
throw him into the river, and let this young man above go." At that
Gilda could not longer support herself and she fell down upon the
ground.
"No, I won't do it," the fellow said doggedly. "I agreed to kill the
man upstairs--and there must be honour among rogues. It wouldn't be
right to kill the one I hadn't bargained for. I make it a rule never
to kill my employer," the rascal returned piously.
"I'll call him, then, and tell him to defend himself," the girl cried,
running toward the stairs.
"Hold on there," Sparafucile cried; "I'll tell you--I agree to kill
the first man who enters this house between now and midnight, in the
Duke's stead, if that will suit you. Then we shall put him in the
sack, and the hunchback will not know the difference. Will that suit
you?" he repeated.
"That will do, and see that you keep your word or I will arouse the
young man, I promise you."
At that moment the clock struck half past eleven, and Gilda was
frantic with fear. Maddalena was in tears, fearing that no one would
come along, in that storm, so late at night.
"If no one comes!" Gilda thinks shudderingly. "Oh, how shall I save
him?" But no sooner had she that thought than a desperate plan entered
her mind. She would go into the inn! She was dressed like a young man
and no one would ever know the difference in the darkness and the
storm. She would go in and the Duke would be spared. Then she waited a
moment, overcome with the fear of death; finally, summoning all her
courage, she knocked against the door.
"Who's there?" Both Maddalena and Sparafucile exclaimed, looking in
terror at each other. The knock was sudden and ominous. Then another
knock.
"Who's there?" again he called.
"A stranger, caught in the storm. Will you give me shelter?" Gilda
could hardly speak, with terror. Maddalena and the murderer looked at
each other significantly. They knew well what they would do the moment
the door was opened. The lightning flashed, the thunder rolled and
broke above them, and the scene became terrifying. Sparafucile placed
himself behind the door and motioned to Maddalena to open it.
"Thou art welcome," she said, throwing the door back suddenly; and as
Gilda stumbled in, Maddalena ran out and closed the gateway. The
candle went out in the gust of wind, and all was dark. Gilda stood an
instant in the blackness of the room. With one blow of the knife,
which could not be seen for the darkness, Sparafucile killed her, and
then all was silent. After a moment the storm broke away, the moon
came forth, and Rigoletto could be seen coming up the river bank.
Public-domain text, read in full here on John Shaqi.
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