Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"It is the time of my vengeance, now," he muttered to himself. He
tried the inn door and found it locked. "He cannot have done the deed
yet," he muttered. After waiting a little he knocked.
"Who's there?"
"I am known to thee," he whispered back; at this Sparafucile came out,
dragging behind him a sack.
"Bring a light," Rigoletto called, "that I may see him."
"That's all right--but you pay my money first," the cut-throat
insisted. Rigoletto impatiently paid him.
"I'll throw him into the river, myself," Rigoletto said triumphantly.
"The tide is shallow here--go farther on--and be sure no one surprises
you," Sparafucile advised. "Good night," he said shortly, and went
inside the inn. Then Rigoletto stood in the dripping road looking
gloatingly at the sack.
"I've got you at last," he chuckled, diabolically, "I have revenge for
your treatment of my daughter. My dear daughter! The child of my
heart!" At the very thought of what she had suffered the dwarf sobbed.
"I'll put my foot upon you, you noble vermin," he cried, kicking the
body in the sack. At that moment he heard a song--_La Donna e
Mobile_--The voice! Was he going mad? He knew the voice. He had heard
it only a few hours ago, in the inn--he had heard it daily at
court--_La Donna e Mobile_! He looked toward the windows of the inn.
_La Donna e Mobile!_ As he looked he saw the Duke and Maddalena step
from the window to the terrace that ran by the river bank. "_La Donna
e Mobile_," the Duke sang gaily. With a frightful cry, Rigoletto
dragged the sack open and the body of his murdered daughter rolled out
upon the road. She moved ever so little.
"Father?" and she gasped out the truth, with a dying breath, while
the dwarf shrieked and tore his hair.
"The curse, the curse! Monterone's curse!" he screamed, and went
raving mad.
IL TROVATORE
CHARACTERS OF THE OPERA, WITH THE ORIGINAL CAST AS PRESENTED AT THE
FIRST PERFORMANCE
Leonora Penco
Azucena Goggi
Inez Quadri
Manrico Baucarde
Count di Luna Guicciardi
Ferrando Balderi
Ruiz Bazzoli
An old gipsy.
Messenger, jailer, soldiers, nuns, gipsies, and attendants.
The story belongs to the fifteenth century in Spain, and tells of the
border wars of northern Spain, carried on in the provinces of Arragon
and Biscay.
Composer: Giuseppe Verdi.
Author: Cammarano.
First sung in Rome, _Teatro Apollo_, January, 19, 1853; Paris,
_Theatre des Italiens_, December 23, 1854 (in Italian); at the
_Opera_, January 12, 1857 (in French); London, Covent Garden, May 17,
1855; New York, Academy of Music, April 30, 1855.
ACT I
[Music]
There you are, prepared for almost anything in the way of battle,
murder, or sudden death, to the accompaniment of beautiful music;
opera in true Italian style, at its second best.
Public-domain text, read in full here on John Shaqi.
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