Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
Soldiers and servants were gathered about the beautiful columns of a
porch of the Aliaferia palace just before midnight awaiting the return
of the Count di Luna. Among them was Ferrando, the captain of the
Count's guard. All were lounging in the vestibule of the palace
gossiping till it was time to go on duty within.
"Hey, wake up! You'll be caught napping," Ferrando called to his
comrades. "It is time for the Count to come. I suppose he has been
under the Lady Leonora's windows. Ah, he is madly in love with
her--and so jealous of that troubadour who sings beneath her windows
that some day they will meet and kill each other."
This was an old story to the men, and in their effort to keep awake
they clamoured for the story of the Count di Luna's brother, which all
had heard told with more or less of truth; but Ferrando knew the whole
horrible tale better than any one else; besides, it was a good story
to keep awake on.
"Ah, that was a great tragedy for the House of Luna," Ferrando began
with a shiver. "I remember it as if it were but yesterday:"
When the good Count di Luna here resided,
Two children fair he numbered;
One to a faithful nurse was once confided,
By the cradle she slumbered.
At morning when she woke and gazed about her,
Sorely stricken was she,
And what sight do ye think did so confound her?
Cho. ... What, oh tell us did she see?
[Music:
Ferrando.
Swarthy and threatening, a gipsy woman,
Bearing of fiendish art, symbols inhuman
Upon the infant fiercely she gazes,
As if to seize him her arm she raises!
Spellbound the nurse watch'd at first the beldame hoary
But soon her shrieking was answer'd in the distance,
And quicker than now I can tell you the story,
The servants of the [Transcriber's Note: music ends here]]
The frightful story was sung in a deep bass voice, by Ferrando. He
sang of how the cry of the nurse on that morning years before had
brought the servants running and they had put the gipsy out; but
almost at once the baby grew ill, and the Count and his people
believed the old hag had put a spell upon it, so that it would die.
They sought wildly for her, and, when they finally found her, they
burned her alive.
While that frightful scene was being enacted, the baby was stolen,
outright, and the di Luna family saw it thrown upon the fire which had
consumed the gipsy.
This deed was done by the daughter of the gipsy whom they had burned
alive. There were those who believed that the child burned had not
been the Count's, but a young gipsy baby--which was quite as horrible.
The name of the young woman who had done this fiendish thing was
Azucena, and the di Lunas searched for her year after year without
success.
It was believed that the spirit of the hag they had burned had entered
into the younger woman's body. The gossiping soldiers and servants
sang:
Public-domain text, read in full here on John Shaqi.
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