Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces — John Shaqi
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Come into this cabinet," Arline cried in alarm. "No one can find you
there! and you, Devilshoof, jump out of the window." No sooner said
than done! Out Devilshoof jumped, while Thaddeus got into the cabinet.
The great doors were thrown open and the company streamed in to
congratulate Arline on being restored to her father. The old Count
then took Arline by the hand and presented her to the company, while
Florestein, as the suitor who expected to be given her hand in
marriage, stood beside her, smiling and looking the coxcomb. Everybody
then sang a gay welcome, and Florestein, who seemed born only to do
that which was annoying to other people, picked up the forgotten gipsy
dress, declaring that it was not suitable to such a moment, and that
he would place it in the cabinet.
That was the worst possible thing he could do, and Arline watched him
with horror. If he should go to the cabinet, as she was now certain he
would, he could not possibly help finding Thaddeus. She watched with
excitement every moment; but in the midst of her fears there was a
great noise without, and the gipsy Queen forced her way in, to the
amazement of the company. She went at once to the old Count, who it
seemed was never to have done with surprises.
"Who art thou, intruder?" he asked angrily. Upon this the Queen lifted
her veil, which till then had concealed her face.
"Behold me!" she cried, very dramatically, "heed my warning voice!
Wail and not rejoice!" A nice sort of caution to be injected into a
merrymaking. "The foe to thy rest, is the one you love best. Think not
my warning wild, 'tis thy refound child. She loves a youth of the
tribe I sway, and braves the world's reproof. List to the words I say,
he is now beneath thy roof!" This was quite enough to drive the entire
company into hysterics.
"Base wretch," the Count cried, "thou liest!"
"Thy faith I begrudge, open that door and thyself be the judge," she
screamed, quite beside herself with anger. Of course everybody looked
toward the door of the cabinet, and finally the Count opened it, and
there stood Thaddeus.
He staggered back, the Queen was delighted, but everybody else was
frightened half to death.
Everybody concerned seemed then to be in the worst possible way.
Arline determined to stand by Thaddeus, and she was quite appalled at
the wickedness of the Queen.
"Leave the place instantly," the Count roared to Thaddeus.
"I go, Arline," Thaddeus answered sorrowfully.
"Never!--unless I go with thee," she declared, quite overcome by the
situation. "Father, I love thee, but I cannot give up Thaddeus," she
protested sorrowfully to the Count. Then the Count drew his sword and
rushed between them.
"Go!" he cried again to Thaddeus, and at the same time the Queen urged
him to go with her. Then Arline begged to be left alone with her
father that she might have a private word with him. Everybody withdrew
except Thaddeus, wondering what next, and how it would all turn out.
Public-domain text, read in full here on John Shaqi.
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