Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"I will sleep," Faust answered, reclining upon the bank. "I should be
glad to forget some things that we have seen." So saying he slept. No
sooner had he done so, that the Devil summoned the most beautiful
sylphs to dance before him, and thus to influence Faust's dreams. They
began by softly calling his name. Then they lulled him to deeper
sleep, and his dream was of fair women. In his dream he saw the lovely
dance, the gracious forms, the heavenly voices of youthful women. The
Devil directed his dream-laden eyes toward a loving pair who walked
and spoke and loved apart. Then immediately behind those lovers
walked, meditatively, a beautiful maiden.
"Behold," the Black Prince murmured to Faust; "that maiden there who
follows: she shall be thy Marguerite. Shall it not be so?" And Faust
sank back in his sleep, overcome with the lovely vision. Then the
Devil motioned the sylphs away.
"Away, ye dainty elves, ye have served my turn to-day, and I shall not
forget." They danced to exquisite waltz music, hovering above Faust,
and gradually disappeared in the mists of the air.
Slowly Faust awakened; His first word was "Marguerite!" Then he looked
about him in a daze.
"What a dream! What a dream!" he murmured. "I saw an angel in human
form."
"Nay, she was a woman," said the Devil. "Rise and follow me, and I
will show her to thee in her home. Hello! Here comes along a party of
jolly students and soldiers. They will pass her home. We'll move along
with them, join their shouts and songs, and presently we shall arrive
at her house." Faust, all trembling with the thought that at last he
had found that which was to make his life worth living, joined the
crowd and followed. The soldiers boisterously sang a fine chorus as
they went. No sooner had they finished than the students began their
song. It was all in Latin and seemed to Faust to echo that life which
had once been his. Then the soldiers and students joined in the
jollity and sang together.
This fun lasted what to Faust seemed too long a time. He was impatient
to see and speak with the dear maiden Marguerite; and at last, his
wish was to be granted. The Devil set him down without ceremony in the
young girl's house. There, where she lived, where her meagre
belongings were about, he sang rapturously of her. He went about the
room, looking at her chair, her basket of work, the place where she
should sleep, examining all with rapture. Then the Devil said in an
undertone:
"She is coming! hide thyself, and frighten her not." Then he hid Faust
behind some curtains and took himself off with the parting advice:
"Have a care not to frighten her, or thou wilt lose her. Now make the
most of thy time." Faust's heart beat so with love that he feared to
betray himself.
Public-domain text, read in full here on John Shaqi.
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