Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
If that Easter morning found Turiddu quite gay and free, it found
Santuzza full of despair and misgiving, because she knew that her
lover had returned to his former sweetheart. Lola's husband, the
wagoner, was frequently away from his home, and in his absence his
wife had been flirting. In a little village, where everybody knew
everybody else, and all of each other's business, Santuzza's
companions had learned that Turiddu had thrown his new love over for
the old, and instead of pitying her, they had ridiculed and treated
her unkindly.
On a Sunday morning, just before the villagers started to church,
Santuzza started for Turiddu's home. He lived near the church, with
Lucia, his old mother. Santuzza had been thinking all night of what
she could do to win her lover back; and at daylight had risen with the
determination to go to old Lucia, and tell her how her son had
misbehaved. In Italy, even grown sons and daughters obey their parents
more promptly than the small children in America ever do. Santuzza,
all tears and worn with sleeplessness, thought possibly Lucia could
prevail upon Turiddu to keep his word and behave more like an honest
man. All the little village was astir early, because Easter is a fete
day in Italy, and the people make merry, as well as go to church. The
peasants were passing and repassing through the little square as
Santuzza entered it. She looked very sad and her eyes were swollen
with crying. But no one paid any attention to her as all were going
into the church for early mass. After the crowd had gone in, the sound
of the organ and of the congregation's voices could be heard in the
square. They sang an Easter carol--about flowers and carolling larks
and orange blossoms--which did not make Santuzza any the happier; but
she went to the door of old Lucia's house and called softly:
"Mama Lucia--Mama Lucia--art thou there?"
"Thou, Santuzza? What wilt thou, my dear?" the old woman answered,
hobbling out.
"Mama Lucia, where is thy son?" Santuzza demanded.
"Thou hast come to see Turiddu? I do not know, my girl. I have nothing
to do with quarrels, you must understand," she answered cautiously,
half suspecting Santuzza's trouble, because she had already suffered
many times on account of her son's faithlessness to others.
"Mama Lucia, I beg of you not to turn me away. Listen to my troubles.
It is thy son who has caused them, and I must see him," Santuzza
sobbed.
"Well, I cannot help thee--though I am truly sorry for thee," the
mother answered, after a moment, observing all the signs of the sorrow
that Santuzza felt. "He is not at home. He has gone to fetch the wine
from Francofonte."
"No, no--he hasn't. He was seen about the village only last night."
"Who told thee that? I, his mother, should know if he is at home or
not."
Public-domain text, read in full here on John Shaqi.
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