Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous MasterpiecesBacon, Mary Schell Hoke
History
Operas Every Child Should Know: Descriptions of the Text and Music of Some of the Most Famous Masterpieces
Bacon, Mary Schell Hoke
Music -- History and criticism -- Juvenile literature; Operas -- Stories, plots, etc.
"Mama Lucia, do not turn me away--I am in great sorrow, and you will
be unhappy all your life if you ill-treat me now." At this they were
disturbed by the cracking of whips and jingling of bells which told of
the return to town of the wagoner. Alfio was returning on Easter
morning in time to join the gaiety with his wife, Lola.
He came in jauntily, singing:
[Music:
Proudly steps the sturdy steed,
Gayly ring the merry bells,
Crack! goes the whiplash! O' hi!
Tho' the icy wind may blow,
Let it rain or let it snow,
What in the world care I?]
Soon all the neighbours appeared to welcome him. He was a most popular
fellow--unlike Turiddu, who was a favourite mainly with the girls.
"Well, about all I have wished for all the week, neighbours, was to
get home here to my wife, that we might spend this Easter day
together. When I am away, I think of nothing but her, you may be sure!
I can't stop here with you, jolly as you are. Lola is certain to be
waiting for me, so off I go!" and the wagoner waved his hand gaily and
was about to hurry off, while some went back into the church again,
and some went to their homes. But Mama Lucia could not but regard him
anxiously. She, herself, was in trouble over her wild son.
"Ah, Alfio, you are always in such high spirits----"
"Hello, Mama Lucia! Good day to you--have you any more of that famous
wine?" Lucia's house was also the village inn, where the folks
congregated to drink their wine, to play cards, and have a good
gossip.
"No, not now; Turiddu has gone to Francofonte to get it."
"You are wrong: I met him near my cottage as I came into the village
this very morning," the wagoner answered, and at the same moment
Santuzza pulled old Lucia's skirt, signing to her to be silent. But
the old woman, surprised and confused at the turn things seemed to be
taking, persisted:
"How so? Are you certain of that?"
"Oh, yes, perfectly sure. And now I must be going: Lola will be
expecting me," the unsuspicious wagoner answered, turning in earnest
to go home. Now, while old Lucia and Santuzza stood without, the choir
in the church sang:
[Music:
Queen of the Heavens, grief is ended!
He, whom thy love once defended--]
And those peasants who had gradually wandered back into the square
knelt, as they heard the prayer. The scene was very devotional and
beautiful, with the exquisite music floating out from the church, and
the reverent people gathering about it. Presently they broke into a
joyous chorus of "Hallelujah! Christ is risen!" while Santuzza and old
Lucia joined in spite of their sadness. But after all had wandered
away, old Lucia approached Santuzza:
"Why didst thou caution me not to speak when Alfio said he had seen my
son near his house?" she asked, anxiously, already half guessing the
reason.
Public-domain text, read in full here on John Shaqi.
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