Operation InterstellarSmith, George O. (George Oliver)
Science
Operation Interstellar
Smith, George O. (George Oliver)
Interstellar communication -- Fiction; Life on other planets -- Fiction; Science fiction
"Nothing, she just listened, and then took off. And can that dame
drive! If we didn't have an idea of where she was going after the first
few minutes, my man would have lost her for certain. She with you now?"
"Uh-huh."
Paul thought fast. Just what unearthly reason why people would try to
stop his plans for creating voice-fast communications with Neosol, Paul
could not fathom. Obviously there was one faction working against him.
But how had they--
Paul paled.
Had the criminal hoped to lay Paul low enough to keep him quiet until
the criminal could take off in Paul's place? True identification
would be impossible once the crook were in space. But what could he
accomplish? Certainly--
Suppose the thief that clipped him intended to place Paul in a position
where he could be captured easily. To take Paul's place to perform
certain acts in Paul's name, while Paul was held captive. Then, once
these acts were consummated Paul could be found in the wreck of a
spacecraft or the ruin of a radio beacon on Proxima Centauri I.
But why? Columbus had been kicked around for having screwy ideas, and
the Brothers Wright had been thoroughly laughed-at. But people did not
try to murder characters who had cockeyed ideas. Of course, there was
Galileo, but Galileo had publicized his screwy ideas, whereas Paul
Grayson's theories were known to very few.
But Nora Phillips could not be held as part of that particular mob. It
seemed to Paul that the woman had done a fine job towards keeping Paul
hale, hearty, healthy, and imbued with ideas available only to a man in
the finest of health of mind and body. If Nora belonged to some group
intent on stopping Paul Grayson, she was working against them, too. For
she had done a fine job of smoothing the headache out of his skull with
fingers that acted with experience and practise.
On the other hand, Nora Phillips had behaved as though she wanted Paul
to succeed, and she acted--if this were an act--as though she enjoyed
her work.
So what had really happened last night when Paul Grayson was clipped
unconscious?
Had Nora forestalled them--_them_?
Nora was quite a woman. Her loveliness was not of the untouchable,
fragile, bandbox variety; perfection that must not be marred by a
misplaced hair or a wrinkle in the frock--or a clue of rouge, printed
offset from her own ripe lips to her own smooth cheek by Paul. Nora
was all-desirable woman, and neither complete dishabille nor minor
imperfection would mar her appeal. Paul recalled the lithe slenderness
of her body. Her sculptured arms were molded with the smooth, well
balanced muscle of fine tonus. Her waist was slender but not too soft--
"Hey! Are you there?"
"Yeah, Stacey. I was thinking."
"Don't think so hard."
"Look, Stacey. Can you tell me whether the man who clipped me turned up
with scratches on his face?"
"I don't know. Why?"
"Just a loose end."
"I might be able to find out."
"Take a swing at it; but it's not too important."
Public-domain text, read in full here on John Shaqi.
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