Interstellar travel -- Fiction; Science fiction; Television programs -- Fiction
He left the table and found West and Jamison in Bell's room, all three
in conference over a bottle. West and Jamison were Cochrane's scientific
team for the yet unformulated task he was to perform. West was the
popularizing specialist. He could make a television audience believe
that it understood all the seven dimensions required for some branches
of wave-mechanics theory. His explanation did not stick, of course. One
didn't remember them. But they were singularly convincing in cultural
episodes on television productions. Jamison was the prophecy expert. He
could extrapolate anything into anything else, and make you believe that
a one-week drop in the birthdate on Kamchatka was the beginning of a
trend that would leave the Earth depopulated in exactly four hundred and
seventy-three years. They were good men for a television producer to
have on call. Now, instructed, they went out to be briefed by somebody
who undoubtedly knew more than both of them put together, but whom they
would regard with tolerant suspicion.
Bell, left behind, said cagily:
"This script I've got to do, now--Will that laboratory be the set? Where
is it? In the dome?"
"It's not in the dome," Cochrane told him. "West and Jamison took a
moon-jeep to get to it. I don't know what the set will be. I don't know
anything, yet. I'm waiting to be told about the job, myself."
"If I've got to cook up a story-line," observed Bell, "I have to know
the set. Who'll act? You know how amateurs can ham up any script! How
about a part for Babs? Nice kid!"
Cochrane found himself annoyed, without knowing why.
"We just have to wait until we know what our job is," he said curtly,
and turned to go.
Bell said:
"One more thing. If you're planning to use a news cameraman up
here--don't! I used to be a cameraman before I got crazy and started to
write. Let me do the camera-work. I've got a better idea of using a
camera to tell a story now, than--"
"Hold it," said Cochrane. "We're not up here to film-tape a show. Our
job is psychiatry--craziness."
To a self-respecting producer, a psychiatric production would seem
craziness. A script-writer might have trouble writing out a
psychiatrist's prescription, or he might not. But producing it would be
out of all rationality! No camera, the patient would be the star, and
most lines would be ad libbed. Cochrane viewed such a production with
extreme distaste. But of course, if a man wanted only to be famous, it
might be handled as a straight public-relations job. In any case,
though, it would amount to flattery in three dimensions and Cochrane
would rather have no part in it. But he had to arrange the whole thing.
He went back to the table and rejoined Babs. She confided that she'd
been talking to Johnny Simms' wife. She was nice! But homesick. Cochrane
sat down and thought morbid thoughts. Then he realized that he was
irritated because Babs didn't notice. He finished his drink and ordered
another.
Public-domain text, read in full here on John Shaqi.
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