Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the WorldSellon, Edward
History
Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the World
Sellon, Edward
Phallicism; Serpent worship
"Turning to a letter from Cortes to Charles V., as given by Humboldt, we
read, 'From the square we proceeded to the great temple, but before we
entered it we made a circuit through a number of large courts, the
smallest of which appeared to me to contain more ground than the great
square in Salamanca, with double enclosures built of lime and stone, and
the courts paved with large white cut stone, very clean; or, where not
paved, they were plastered and polished. When we approached the gate of
the great temple, to which the ascent was by a hundred and fourteen
steps, and before we had mounted one of them, Montezuma sent down to us
six priests and two of his noblemen to carry Cortes up, as they had done
their sovereign, which he politely declined. When we had ascended to the
summit of the temple, we observed on the platform as we passed the large
stone whereon were placed the victims who were to be sacrificed. Here was
a great figure which resembled a dragon, and much blood fresh spilt.
Cortes then addressing himself to Montezuma requested that he would do him
the favour to show us his gods. Montezuma, having first consulted his
priests, led us into a tower where there was a kind of saloon. Here were
two altars highly adorned, with richly wrought timbers on the roof, and
over the altars gigantic figures resembling very fat men. The one on the
right was Huitzilopochtli their war god, with a great face and terrible
eyes, this figure was entirely covered with gold and jewels, and his body
bound with golden serpents, in his right hand he held a bow, and in his
left a bundle of arrows. The little idol which stood by him represented
his page, and bore a lance and target richly ornamented with gold and
jewels. The great idol had round his neck the figures of human heads and
hearts made of pure gold and silver, ornamented with precious stones of a
blue colour. Before the idol was a pan of incense, with three hearts of
human victims which were then burning, mixed with copal. The whole of that
apartment, both walls and floor, was stained with human blood in such
quantity as to give a very offensive smell. On the left was the other
great figure, with a countenance like a bear, and great shining eyes of
the polished substance whereof their mirrors are made. The body of this
idol was also covered with jewels. These two deities it was said were
brothers; the name of the last was Tezcatepuca, and he was the god of the
infernal regions. He presided, according to their notions, over the souls
of men. His body was covered with figures representing little devils with
tails of serpents, and the walls and pavement of this temple were so
besmeared with blood that they gave off a worse odour than all the
slaughter-houses of Castille. An offering lay before him of five human
hearts. In the summit of the temple, and in a recess the timber of which
was highly ornamented, we saw a figure half human and the other half
Public-domain text, read in full here on John Shaqi.
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