Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the WorldSellon, Edward
History
Ophiolatreia: An Account of the Rites and Mysteries Connected with the Origin, Rise, and Development of Serpent Worship in Various Parts of the World
Sellon, Edward
Phallicism; Serpent worship
resembling an alligator, inlaid with jewels, and partly covered with a
mantle. This idol was said to contain the germ and origin of all created
things, and was the god of harvests and fruits. The walls and altars were
bestained like the rest, and so offensive that we thought we never could
get out soon enough.
"'In this place they had a drum of most enormous size, the head of which
was made of the skins of large serpents. This instrument when struck
resounded with a noise that could be heard to the distance of two leagues,
and so doleful that it deserved to be named the music of the infernal
regions; and with their horrible sounding horns and trumpets, their great
knives for sacrifice, their human victims, and their blood besprinkled
altars, I devoted them and all their wickedness to God's vengeance, and
thought that the time would never arrive that I should escape from this
scene of butchery, horrible smells, and more detestable sights.
"'On the site of the church, called St. Jago el Taltelulco, was a temple,
which, we have already observed, was surrounded with courts as large as
the square of Salamanca. At a little distance from it stood a tower, a
true hell or habitation for demons, with a mouth, resembling that of an
enormous monster, wide open, and ready as it were to devour those who
entered. At the door stood frightful idols; by it was a place for
sacrifice, and within, boilers and pots full of water to dress the flesh
of the victims which were eaten by the priests. The idols were like
serpents and devils, and before them were tables and knives for sacrifice,
the place being covered with the blood which was spilt on those occasions.
The furniture was like that of a butcher's stall, and I never gave this
accursed building any name except that of hell. Having passed this, we saw
great piles of wood, and a reservoir of water supplied by a pipe from the
great aqueduct; and crossing a court we came to another temple, wherein
were the tombs of the Mexican nobility, it was begrimed with soot and
blood. Next to this was another, full of skeletons and piles of bones,
each kept apart, but regularly arranged. In each temple were idols, and
each had also its particular priests, who wore long vestments of black,
their long hair was clotted together, and their ears lacerated in honour
of their gods.'"
Mr. Bullock then proceeds to describe a cast of the great idol of the
goddess of war, which he had brought to England with him.
Public-domain text, read in full here on John Shaqi.
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