By aerial ferry the white, silent forces of the storm attacked the city
from beyond the sullen East River. Already the snow lay a foot deep
on the pavements, the drifts heaping themselves like scaling-ladders
against the walls of the besieged town. The Avenue was as quiet as a
street in Pompeii. Cabs now and then skimmed past like white-winged
gulls over a moonlit ocean; and less frequent motor-cars--sustaining the
comparison--hissed through the foaming waves like submarine boats on
their jocund, perilous journeys.
Nevada plunged like a wind-driven storm-petrel on her way. She looked
up at the ragged sierras of cloud-capped buildings that rose above the
streets, shaded by the night lights and the congealed vapors to gray,
drab, ashen, lavender, dun, and cerulean tints. They were so like the
wintry mountains of her Western home that she felt a satisfaction such
as the hundred-thousand-dollar house had seldom brought her.
A policeman caused her to waver on a corner, just by his eye and weight.
"Hello, Mabel!" said he. "Kind of late for you to be out, ain't it?"
"I--I am just going to the drug store," said Nevada, hurrying past him.
The excuse serves as a passport for the most sophisticated. Does it
prove that woman never progresses, or that she sprang from Adam's rib,
full-fledged in intellect and wiles?
Turning eastward, the direct blast cut down Nevada's speed one-half. She
made zigzag tracks in the snow; but she was as tough as a piñon sapling,
and bowed to it as gracefully. Suddenly the studio-building loomed
before her, a familiar landmark, like a cliff above some well-remembered
cañon. The haunt of business and its hostile neighbor, art, was darkened
and silent. The elevator stopped at ten.
Up eight flights of Stygian stairs Nevada climbed, and rapped firmly
at the door numbered "89." She had been there many times before, with
Barbara and Uncle Jerome.
Gilbert opened the door. He had a crayon pencil in one hand, a green
shade over his eyes, and a pipe in his mouth. The pipe dropped to the
floor.
"Am I late?" asked Nevada. "I came as quick as I could. Uncle and me
were at the theatre this evening. Here I am, Gilbert!"
Gilbert did a Pygmalion-and-Galatea act. He changed from a statue of
stupefaction to a young man with a problem to tackle. He admitted
Nevada, got a whisk-broom, and began to brush the snow from her clothes.
A great lamp, with a green shade, hung over an easel, where the artist
had been sketching in crayon.
"You wanted me," said Nevada simply, "and I came. You said so in your
letter. What did you send for me for?"
"You read my letter?" inquired Gilbert, sparring for wind.
"Barbara read it to me. I saw it afterward. It said: 'Come to my studio
at twelve to-night, and do not fail.' I thought you were sick, of
course, but you don't seem to be."
"Aha!" said Gilbert irrelevantly. "I'll tell you why I asked you to
come, Nevada. I want you to marry me immediately--to-night. What's a
little snow-storm? Will you do it?"
Public-domain text, read in full here on John Shaqi.
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