Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
_Opus 21_
BOOKS BY _Philip Wylie_
HEAVY LADEN · BABES AND SUCKLINGS · GLADIATOR
FOOTPRINT OF CINDERELLA · THE SAVAGE GENTLEMAN
FINNLEY WREN: HIS NOTIONS AND OPINIONS
AS THEY REVELED · AN APRIL AFTERNOON
THE BIG ONES GET AWAY · SALT WATER DAFFY
THE OTHER HORSEMAN · GENERATION OF VIPERS
CORPSES AT INDIAN STONES
FISH AND TIN FISH · NIGHT UNTO NIGHT
AN ESSAY ON MORALS · TOO MUCH OF EVERYTHING
CRUNCH AND DES: STORIES OF FLORIDA FISHING
OPUS 21
_By Philip Wylie and William W. Muir_
THE ARMY WAY
OPUS 21
_Descriptive Music_
FOR THE LOWER KINSEY EPOCH
OF THE ATOMIC AGE
_a Concerto for a One-Man Band_
SIX ARIAS FOR SOAP OPERAS
_Fugues, Anthems, & Barrelhouse_
BY
PHILIP WYLIE
RINEHART & COMPANY, INC.
_New York and Toronto_
_First Printing, April 1949_
_Second Printing, June 1949_
_Third Printing, September 1949_
_Fourth Printing, November 1951_
_Fifth Printing, October 1953_
_Sixth Printing, September 1956_
_Seventh Printing, October 1959_
COPYRIGHT, 1949, BY PHILIP WYLIE
PRINTED IN THE UNITED STATES OF AMERICA
ALL RIGHTS RESERVED
TO MY WIFE
_Ricky_
AND MY DAUGHTER
_Karen_
I LOVINGLY DEDICATE
THIS ROMANCE
WARNING
Most of the characters in this book are unreal--and that is
particularly true of the author.... Few of the events recorded here
ever took place--exactly.... Even the time is somewhat out of joint,
so purists are advised not to bother to compare the meteorology with
the obituaries.... I never had (for instance) an elder sister named
Georgianna, that I know of.... The difference between what is Real (or
Truth) and what is Illusion (or Fiction) is left to such judgment as
the reader may own--just as it is in all the other experiences of life.
_P.W._
PART ONE: _Scherzo_: 3
PART TWO: _Tarantella_: 79
PART THREE: _Andante_: 124
PART FOUR: _Rondo_: 225
PART FIVE: _Coda_: 361
_Opus 21_
PART ONE
_Scherzo_
1
It happens to millions.
They sit in doctors' offices trying to hide nervousness in the pages of
magazines. Wondering what germs their predecessors have deposited in
_Life_ and _Harper's Bazaar_ or _Action Comics_.
The nurse calls:
Mr. So-and-so. Mrs. So-and-so. Miss So-and-so.
They go in.
"Doctor," they say, "just lately I've begun to notice...."
They have begun to notice Death.
And now the doctor notices, too.
Millions of us, in this century, find out before angina curls us like
insects in flame. Before the stone is lodged in its screaming cavity.
Before the final, involuntary issue of bowel or bladder or foamy lungs.
It is one of the marvels of science.
"Tom," I said, for the doctor is an old friend, "lately I've noticed
a feeling of fullness in my nasal passages. And this morning, before
I flew down from the country, I looked at the back of my throat. Up
behind the uvula. Something is--growing there."
"Let's take a squint."
Public-domain text, read in full here on John Shaqi.
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