Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
In all these treatises, emphasis is put upon the likelihood of early
failure--the mere hope of subsequent success--and the stratagems which,
if meticulously pursued, may ultimately bring about success. The
directions read like those for boxing, savate, or judo. An encounter
of the most dire solemnity is envisaged. Painful knockdowns and other
traumatizing incidents are constantly described. Yet it is pointed
out repeatedly that a genuine knock_out_ will result inevitably in
Unhappiness, Infidelity, Divorce, Frigidity, Impotence, Neurosis,
Neurasthenia, Psychosis, Premature Senility, Suicide, et cetera, et
cetera, et cetera.
Thus the "sophisticated" individual comes to the practice of the art
of love without room in his mind for the thought that it might be fun,
pleasure, joy, glee, and a source of high laughter. He (or she) is,
instead, nerved up for a clash, the outcome of which is most uncertain
and potentially of extreme hazard, and the technique for which involves
a repertoire like that of a concert organist, along with the timing,
muscular co-ordination, and steady nerve of a trapeze performer.
It is scarcely necessary to remind the reader at this point that the
manuals in question here are the works of accredited physicians, which
is to say, of scientists. Their observations are astute, accurate
and complete, from the objective standpoint--and, of course, highly
_reasonable_. All they have omitted is the subjective, or instinctual,
aspect of the matter--and here is as good an example of that phenomenal
but widespread oversight as any.
Some of them even refer to the subject as the "science"--not the
art--of love. Technique is a still commoner term. One can reflect
sympathetically upon the plight of their mates. And, of course, one
can also reflect that, at least in a few instances, these amatory
scientists should be given the benefit of a solid doubt: were they to
describe love-making as fun, and address themselves to the means of
eliciting pleasure therefrom, rather than to the training-table and
Olympiad aspects of the procedure, they would be denied the use of the
mails even in plain wrappers and even if they had fifty university
degrees. The United States Post Office is willing (in a gingerly
way) to disseminate anatomical discourse on sex for the married or
near-married; but it draws an absolute line at any suggestion that
sexual relations are, or could be, consonant with a good time.
Thus we see that the churches, on the one hand, and the cognoscenti, on
the other, rule fun out of sex and are supported in the matter by the
government.
The first good reason for associating with a prostitute is, however,
unmistakably--pleasure.
Public-domain text, read in full here on John Shaqi.
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