Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
The pleasure is reciprocal--self-evident for the gentleman, and
frequently for the lady also. In cases where the gentleman is something
less than that, the lady still has the pleasure of pecuniary profit.
This is not a matter to be taken lightly in an era in which the United
States is regarded as the last stronghold of capitalism--and the
"money-incentive" is recognized as one of our chief Ideals.
There are, it is true, certain nigglers who claim that, since the
prostitute lends her person to an act from which she may receive no
particular direct pleasure (owing to surfeit or to disinterest) the
profession itself is immoral--a violation of that American Ideal which
regards sexual relations as permissible only for the Consummation of
Romantic Love. Let all such note, then, that fully half the wives in
the land report that they seldom or never enjoy consummation, and
rarely even intense pleasure, in their relations with their husbands.
Must we say all these wives are therefore prostituting themselves?
A similar question may be asked of those who are finicky about the
straight cash aspect of professional cohabitation. Our magazine
fiction, radio, motion pictures, and other media are engaged in a
uniform campaign to indoctrinate Miss America with the theory that her
best possible operation in life is to marry a man with millions, or
with wealth in his background, with a good income, or--minimally--good
prospects. Hardly one heroine of these legends in a thousand marries
an oaf manifestly doomed to poverty. Money is an American Ideal--and
the plain inference to be drawn from our legends is that sexual
desirability occurs for the acquisition of money.
The nation is elaborately stratified according to the amount of money
obtained by each young woman upon marriage, or by other means. Of the
girl who gets a rich husband we say (even though he has the manners of
a gopher and the countenance of a quince), "Oh, well, she can own a
convertible and sleep on percale." Advertising, of course, is wholly
directed to this association of ideas: one never sees a homely girl
displaying a fur coat or a roadster or even pop. With such massive
duress visited upon her from every direction--with women marrying and
divorcing wealthy men one after the other and remaining the while on
elective lists of America's Leading Ladies--a girl cannot conceivably
be criticized, on grounds logical or grounds emotional--for slightly
short-cutting the standard technique and employing her fresh, gay, sex
appeal to obtain the money directly, by a somewhat greater volume of
relations at a lower net charge per unit. This is, after all, no more
than the translation of another American Ideal--mass production--to a
different field.
One associates with these young ladies, then, for one's money's worth
of fun, as I have said. But, lest the reader doubt Forbisher-Laroche
(as I do in a sense, myself) I set below, at random, a few of the
putative 1,505 other reasons:
Public-domain text, read in full here on John Shaqi.
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