Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
She nodded her head affirmatively and went on smiling. "What attracts
me--sexually--to people--isn't their sex. Not whether they're men or
women--or even little kids, for that matter. It's something about them
that I never know what it may be. The way they move--or the way they
talk--or their expressions--or their looks. It can be any little thing.
Sometimes I think it isn't _them_ at all--but how _I_ feel at the time.
And even then my feelings aren't ever the same. According to what it
is that attracts me, I'm different. Sometimes I see a man I'd like to
have make love to me. Sometimes I see some college boy I'd just like to
neck. Sometimes I see a woman I wish would have a crush on me and rush
me--like college girls--and get herself terribly upset about wanting me
around so much--and not knowing what to do. And sometimes I feel the
way Charmaine seems to, about everybody she likes. I just try to see
how excited I can make them be--and then let them be. Like that. Let
them go away. Does it bore you?"
"No."
"There are some feelings I can't react to. Homosexuality in men. I
don't mean it revolts me, or anything. I just can't see why they
bother--even with all I _can_ see. And the most peculiar part is
noticing that the men who hate pansies the most are nearest to it. You
find that out, in my kind of life. They'll visit you and act strictly
like Marine sergeants--and get very tight--and finally, perhaps,
ask--probably pretending to kid--if there are only girls around the
place. When anything like that happens--I feel perfectly blank. Yet
that doesn't seem--normal--under the circumstances."
Gwen's theory of normal libido required the possibility of erotic
reaction to just about any object, it appeared.
I wondered how close that was to the actual nature of us all.
The Freudians would have shrugged it off as adolescent. A
carrying-into-maturity of the unsorted, unspecialized yearnings of
the infant and the child. I felt that--if a person could choose--he,
or she, would be far better off with Gwen's libido than the tormented
fragment that the majority cherished. Cherished as the platform for all
that they called love and integrity.
She was telling the truth. But presently I wondered if she had not told
it a great many times, to men like myself, and to women--some women.
Told it as a psychological tapestry against which to pose herself; as
an advertisement, an inducement. It wouldn't be the first time I'd
heard a prostitute do that. Tell the truth readily enough--too readily.
Personal history--anecdotes--subclinical material. Intellectual people
would fall for it. They would be seduced by it. For they have been
deprived not just of the erotic play their childhood naturally yearned
for but, in most cases, of the opportunity for mere discussion of the
subject, which they'd have enjoyed.
Public-domain text, read in full here on John Shaqi.
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