Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & BarrelhouseWylie, Philip
Philosophy
Opus 21: Descriptive Music for the Lower Kinsey Epoch of the Atomic Age, a Concerto for a One-man Band, Six Arias for Soap Operas, Fugues, Anthems & Barrelhouse
Wylie, Philip
Authors -- Fiction; New York (N.Y.) -- Social life and customs -- 20th century -- Fiction; Patients -- Fiction; Philosophy -- Fiction
Some of us, however, still take an occasional crack at keeping alive
the memory of what men once were--or fanning the hope of what they may
be.
Once, for instance, men behaved with compassion toward women; they
were even interested in how women feel; what women did was actually
important to men--once. It may again be so.
But the likelihood is that nobody ever escaped Sodom alive. Lot's wife
looked back for a last squint at the new streamlined dish washers--and
turned to a pillar of salt. Lot, a moment later, tried to save a
charred copy of the financial page--and turned into a pillar of
bicarbonate of soda.
I got to about that point in my estimates when the doors opened again.
Yvonne appeared--flushed and tousled--a drink in one hand and some
books in the other.
"Lonesome?" she asked.
"Far from it," I said. "I was working with the Lord."
She laughed. "Join us?"
I shook my head.
"I thought not. Here! _Amusez-vous!_" She threw the books on my bed and
shut the door again.
I looked at the books. Three mystery stories in the conventional getup
of gaud and grue and one volume without a jacket: Huxley's _Ape and
Essence_, which Yvonne had denuded to camouflage another treatise.
I passed up the mysteries--the immunizing doses of mayhem, the
habit-forming homicide--with which so many of the better people try to
allay their critical sensations in this civilization. I took the Huxley
back to my living room and read in it here and there.
It was unfortunate, I thought, that the bright Aldous had seen fit to
show the world that he, too, could write a screenplay. Did he need a
studio job, I wondered?
But it was only funny that the public and the critics had misjudged
the tale. For Huxley's portrait of post-atomic California was not,
as most persons assumed, the flight of a delirious brain. It was, by
every relevant index, the most likely prediction that an intelligent
man could make, these days. It was just what good actuaries and
capable business forecasters should anticipate. Six hundred years
ago, I reflected, the Great Plague had reduced Western Europe to a
similar condition: religion had become corrupt, rogues had seized the
government, the expiring feudal system had been finally shattered,
and the people had roamed amidst half-empty towns and cities, living
by robbery, raping, burning witches, and indulging every horrid
superstition, while knowledge vanished and science stood still. This
condition had lasted for more than a century.
The intervening twenty generations had not been enough to change man
a particle. He was the same specious brainist and therefore the same
potential dupe of his unaltered instincts. His opposite possibilities
were perhaps even stronger--since he had exploited vanity for six more
centuries. Atomic bombs, likely, would be worse than Plague and have
long-lasting, ancillary effects of the very sort described by Huxley.
And there would be new plagues---military diseases.
Public-domain text, read in full here on John Shaqi.
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